John Neagle, 1828 - John Haviland - mbipụta nka mara mma

What does the The Metropolitan Museum of Art say about this work of art created by John Neagle? (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The ingenious British architect John Haviland (1792 - 1852) sat for his contemporary John Neagle, while at work on the building that would make him famous. Haviland's Eastern State Penitentiary in Philadelphia (1823-29), one of the largest architectural projects yet undertaken in the United States, was hailed as revolutionary and epochal. In this portrait, Haviland appears to be checking with calipers his innovative scheme of cells radiating from a central core; his plan would later influence prison design internationally. The watercolor rendering at right shows the neo-Gothic facade of the prison, while the book--a volume of James Stuart and Nicholas Revett's "The Antiquities of Athens" (1762-1816)--betrays his eclectic stylistic interests. Haviland later designed the Hall of Justice in New York (fondly called "The Tombs") and was a founder of the American Institute of Architects.

Ozi zuru ezu gbasara ngwaahịa a

In 1828 na nwoke American artist John Neagle agba nke 19th narị afọ nka nka aha ya John Haviland. Ihe gafere 190 year-old original version was made with the following size: 33 x 26 in (83,8 x 66 cm). Oil on canvas was applied by the painter as the medium of the masterpiece. Nowadays, the piece of art is in the the Ụlọ ihe ngosi nka nke Metropolitan digital art collection. This artpiece, which belongs to the public domain is provided with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, The Alfred N. Punnett Endowment Fund, 1938. Creditline of the artwork: The Alfred N. Punnett Endowment Fund, 1938. What is more, the alignment of the digital reproduction is in portrait format with a side ratio of 3 : 4, which implies that the length is 25% shorter than the width.

Nhọrọ ihe onwunwe

Na menu ndọpụta ngwaahịa ị nwere ike họrọ nha na ihe ị họọrọ. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mpempe iko acrylic na-egbuke egbuke: A glossy acrylic glass print, which is often described as a UV print on plexiglass, will change an original into brilliant home decoration. Your artwork is made with modern UV printing machines. This makes vivid and stunning print colors. The acrylic glass protects your custom fine art print against light and external influences for many years to come.
• Poster (akwa akwa akwa): A poster print is a UV printed cotton canvas with a slightly rough finish on the surface, which reminds the original artwork. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
• Aluminom dibond (ọkpụkpụ ọla): These are metal prints on aluminium dibond material with an impressive effect of depth. The bright parts of the original work of art shine with a silky gloss but without any glow. The colors of the print are bright and vivid in the highest definition, fine details of the print appear clear and crisp, and there’s a matte look you can literally feel.
• Mbipụta kanvas: A UV printed canvas material mounted on a wooden frame. It generates a particular effect of three dimensionality. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without the help of any wall-mounts. Because of thata canvas print is suited for any type of wall.

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Important information: We try our best in order to describe our art products with as many details as possible and to demonstrate them visually in our shop. Please bear in mind that the pigments of the print materials, as well as the printing may diverge somehwat from the representation on your screen. Depending on the screen settings and the quality of the surface, not all color pigments can be printed as exactly as the digital version. Considering that our fine art prints are printed and processed manually, there might also be slight variations in the motif's exact position and the size.

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