Merry Joseph Blondel, 1849 – Ngosipụta nke Jisus n’ụlọ nsọ. - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa nke edemede
In 1849 Merry Joseph Blondel kere ihe a 19th narị afọ ọrụ nka akpọrọ Presentation of Jesus at the Temple.. Ihe gafere 170 years old original version had the following size of Height: 17 cm, Width: 41,5 cm. Furthermore, this piece of art is included in the Ụlọ ihe nkiri Carnavalet Paris mkpokọta, nke bụ ihe ngosi nka raara nye akụkọ ihe mere eme nke obodo Paris. Site n'ikike nke Ụlọ ihe nkiri Carnavalet Paris (ọha na eze).Creditline of the artwork: . Furthermore, alignment is landscape and has a ratio of 5 : 2, which means that the length is two and a half times longer than the width.
Nye iwu ihe ngwaahịa ịchọrọ
N'ime ndetu ndetu ngwaahịa ị nwere ike họrọ nha na akụrụngwa ọkacha mmasị gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mpempe iko acrylic na-egbuke egbuke: A glossy acrylic glass print, often described as a UV print on plexiglass, will turn your favorite original work of art into lovely décor. Your own version of the work of art is being made with state-of-the-art UV printing machines. The major benefit of an acrylic glass art print is that contrasts as well as details become more visible due to the granular tonal gradation.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a printed cotton canvas with a slightly roughened structure on the surface. A print poster is perfectly suited for framing the art replica using a custom-made frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm around the painting in order to facilitate the framing with your custom frame.
- Kwaaji: The canvas print is a printed canvas stretched on a wooden frame. Canvas prints are relatively low in weight. That means, it is easy to hang up your Canvas print without the support of extra wall-mounts. A canvas print is suitable for all types of walls.
- Mbipụta nke aluminom: These are metal prints on aluminium dibond with an impressive effect of depth. The Aluminium Dibond Print is the ideal start to the sophisticated world of fine art replicas manufactured on aluminum. The colors are luminous and vivid, details appear very clear, and you can feel the matte appearance of the print.
Legal disclaimer: We try everything in order to depict the art products as closely as we can and to showcase them visually. However, the tone of the print products, as well as the imprint might vary slightly from the presentation on your monitor. Depending on your screen settings and the nature of the surface, colors may not be printed as realistically as the digital version depicted here. Bearing in mind that all our art prints are processed and printed manually, there might also be slight differences in the motif's size and exact position.
Nkọwa ihe ahaziri ahazi
Bipụta ngwaahịa: | mmepụta nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | UV kpọmkwem obibi |
Mmalite nke ngwaahịa a: | emepụtara na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | ihe ndozi mgbidi, nka mgbidi |
Ntuziaka onyonyo: | nhazi odida obodo |
Ụdị anya: | ogologo ruo obosara 5: 2 |
Nsonaazụ nke oke onyonyo a: | ogologo bụ ugboro abụọ na ọkara ogologo karịa obosara |
Ụdị ihe dị iche iche: | Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 50x20cm - 20x8", 100x40cm - 39x16", 150x60cm - 59x24", 200x80cm - 79x31" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 50x20cm - 20x8", 100x40cm - 39x16", 150x60cm - 59x24", 200x80cm - 79x31" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 100x40cm - 39x16" |
Ụdị mbipụta aluminom: | 50x20cm - 20x8", 100x40cm - 39x16" |
Nhazi nke nka nka: | enweghị etiti |
Ozi ahaziri na ọrụ nka
Aha nke eserese ahụ: | "Presentation of Jesus at the Temple." |
Nhazi nka nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
oge: | 19th narị afọ |
Afọ nka: | 1849 |
Ogologo afọ nka nka: | 170 afọ |
Nha izizi (ọrụ nka): | Ogologo: 17 cm, obosara: 41,5 cm |
Ụlọ ihe ngosi nka: | Ụlọ ihe nkiri Carnavalet Paris |
Ebe ngosi nka: | Paris, France |
Weebụsaịtị nke ihe ngosi nka: | Ụlọ ihe nkiri Carnavalet Paris |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Ụlọ ihe nkiri Carnavalet Paris |
Banyere onye na-ese ihe
Aha onye nka: | Merry Joseph Blondel |
Aliases: | Blondel Merry-Joseph, Blondel, Blondel Joseph, Merry Joseph Blondel, Blondel Merry Joseph |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ: | onye na-ese ihe |
Mba onye si: | France |
Nhazi nke onye nka: | omenkà nke oge a |
Afọ ọnwụ: | 72 afọ |
Afọ amụrụ: | 1781 |
Obodo ọmụmụ: | Paris, Ile-de-France, France |
Afọ nwụrụ: | 1853 |
Nwụrụ na (ebe): | Paris, Ile-de-France, France |
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Artwork depiction by Musée Carnavalet Paris website (© Copyright - Musée Carnavalet Paris - www.carnavalet.paris.fr)
Sketch for the composition of the right transept of St. Thomas Aquinas Church, conducted in 1849.