Thomas Fearnley, 1833 - Oke osimiri dị na Palermo - mbipụta nka mara mma

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• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an outstanding effect of depth. The bright & white sections of the original artpiece shine with a silk gloss, however without the glow. This UV print on Aluminum Dibond is the most popular entry-level product and is a truly modern way to showcase artworks, because it draws attention on the artwork.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a printed flat canvas with a nice structure on the surface. The print poster is perfectly appropriate for putting the fine art print with a special frame. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the artwork in order to facilitate the framing with your custom frame.
• Mbipụta kwaaji: The canvas print, not to be confused with a painting on a canvas, is a digital image printed from an industrial printing machine. A canvas print of your favorite masterpiece will give you the opportunity to transform your art print into a large size artwork as you know from art galleries. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Canvas prints are suited for all kinds of walls.
• Mbipụta enyo acrylic: A glossy acrylic glass print, often described as a print on plexiglass, transforms the original into amazing décor and forms a great alternative option to aluminium and canvas prints. Your favorite work of art is printed with the help of state-of-the-art UV direct printing machines. This has the image effect of sharp, intense colors. The acrylic glass protects your custom fine art print against sunlight and external influences for several decades.

Ederede iwu dị mkpa: We try everything in order to describe our art products as accurately as possible and to exhibit them visually in our shop. However, the colors of the print products, as well as the printing might diverge marginally from the representation on your device's screen. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed one hundret percent realistically. Considering that the art reproductions are printed and processed by hand, there may as well be slight deviations in the motif's exact position and the size.

Ihe dị ka ọrụ nka ihe karịrị afọ 180

The sea at Palermo bụ ọmarịcha ihe osise nke onye na-ese ihe sere Thomas Fearnley. Ụdị izizi ahụ tụrụ nha: 18,3 x 25,5 cm. Mmanụ na kwaaji was applied by the Norwegian artist as the medium of the artpiece. Today, the work of art belongs to the Ụlọ ihe ngosi nka nke Thorvaldsens digital art collection, which is a single-artist museum dedicated to the art of Danish neoclassicistic sculptor Bertel Thorvaldsen. With courtesy of: Thomas Fearnley, The sea at Palermo, 1833, Thorvaldsens Museum, www.thorvaldsensmuseum.dk (public domain license).Creditline of the artwork: . In addition to this, the alignment of the digital reproduction is odida obodo and has a side ratio of 1.4 : 1, which means that the length is 40% longer than the width. The painter Thomas Fearnley was a European artist from Norway, whose artistic style was mainly Romanticism. The Romanticist artist was born in the year 1802 na Halden, Ostfold, Norway wee nwụọ mgbe ọ dị afọ 40 N'afọ 1842 na Munich, Bavaria, Germany.

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