William Michael Harnett, 1888 - Still Life—Violin na Egwu - mbipụta nka mara mma

(© Nwebiisinka - The Metropolitan Museum of Art - www.metmuseum.org)

Harnett was the most imitated and skillful still-life painter in late nineteenth-century America, celebrated for his many arrangements that pushed the art of trompe l’oeil (French for “fool the eye”) to its limits. While this complex composition may at first appear flat, it is full of depth and plasticity, emphasizing the tension between illusion and reality. The depicted hinged door is slightly ajar, and the humble objects hang on prominent nails, casting strong shadows. The instruments and torn sheet music for a popular Irish reel underline Harnett’s humorous sense of play as well as his Irish-American identity.

This more than 130 years old artwork titled Still Life—Violin and Music e sere ya nwoke Onye omenkà Irish William Michael Harnett in 1888. The 130 year-old version of the masterpiece measures the size of 40 x 30 in (101,6 x 76,2 cm). Mmanụ na kwaaji was used by the Irish artist as the technique for the piece of art. This work of art belongs to the The Metropolitan Museum of Art's art collection. The nkà nke oge a A na-enye ọrụ nka ọha na eze site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1963. In addition, the artwork has the creditline: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1963. The alignment is in portrait format and has a ratio of 3 : 4, meaning that the length is 25% shorter than the width. William Michael Harnett was a painter of Irish nationality, whose artistic style can mainly be classified as Realism. The European painter was born in the year 1848 in Clonakilty, County Cork, Ireland and deceased at the age of 44 in the year 1892.

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• Mbipụta nke aluminom: These are metal prints on aluminium dibond with a true depth effect - for a modern impression and non-reflective surface. The Aluminium Dibond Print is the excellent introduction to fine replicas produced with aluminum. For your Direct Print On Aluminum Dibond, we print the artpiece onto the surface of the aluminum. The UV print on Aluminum Dibond is the most popular entry-level product and is an extremely contemporary way to showcase artworks, as it puts the viewer’s attention on the replica of the artwork.
• Mbipụta kwaaji: The UV printed canvas applied on a wooden stretcher frame. A canvas has the exclusive look of three dimensionality. Canvas prints are relatively low in weight, which implies that it is easy to hang the Canvas print without any wall-mounts. A canvas print is suited for all types of walls.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster is a printed flat canvas paper with a nice texture on the surface, that reminds the actual work of art. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2 - 6cm round about the artwork to facilitate the framing with a custom frame.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, often referenced as a fine art print on plexiglass, will convert your favorite original work of art into gorgeous décor. In addition to that, it makes a great alternative to canvas and aluminidum dibond fine art replicas. With an acrylic glass art print contrasts plus image details become more visible with the help of the subtle tonal gradation.

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Nkwupụta iwu: We try our best to depict our art products with as many details as possible and to exhibit them visually. Please bear in mind that the colors of the print materials, as well as the imprint may differ slightly from the image on your screen. Depending on your screen settings and the condition of the surface, not all colors are printed one hundret percent realistically. Bearing in mind that the fine art prints are processed and printed manually, there may also be minor deviations in the motif's exact position and the size.

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