Harald Giersing, 1909 - Ikpe nke Paris - ọmarịcha nka

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

(© - nke Statens Museum for Kunst (National Gallery of Denmark) - www.smk.dk)

The title of this piece refers to the Ancient Greek legend of Prince Paris, who was called upon to decide who was more beautiful of the three goddesses Hera, Athena, and Aphrodite. Giersing’s painting is indeed peopled by three women and a man, but it might just as well be viewed as a studio scene where the women are models posing nude for a man, possibly the painter. At the same time, the prominent use of colour and lines direct attention away from the mythological narrative to the artistic devices used in the painting.

The motif's ambiguity The ambiguity of the motif should be regarded as a deliberate strategy on Giersing’s part. His ambition with this picture was to challenge and reinvent classic figure painting. The coarseness, the pareddown palette, the indeterminable placement of the figures within the space, and, very significantly, the thick black contours undulating down the picture plane to form ornamental sequences were all fierce attacks against the finely hewn naturalistic norms prevalent at the time.

A new, modern vein of figure painting The picture can be viewed as a proposal for a new, modern vein of figure painting that has the reality of art itself as its true content. The Judgement of Paris attracted a great deal of attention when it was first presented to the public in 1910, and it was instrumental in establishing Giersing’s position as one of the most important artists of the young generation of modernists.

Ozi ahaziri na nka

Aha ọrụ nka: "Ikpe nke Paris"
Nchịkọta nke ọrụ nka: sere
Category: nkà nke oge a
Century: 20th narị afọ
Afọ nka: 1909
Afọ nka: ihe karịrị afọ 110
Nha nke ihe osise izizi: 121,5 x 149 cm
Ụlọ ihe ngosi nka / mkpokọta: Statens Museum maka Kunst (National Gallery nke Denmark)
Ebe ngosi nka: Copenhagen, Denmark
Webụsaịtị ihe ngosi nka: www.smk.dk
License: ngalaba ọha
Site n'aka: National Gallery nke Denmark

Tebụl ozi omenkà

Aha onye nka: Harald Giersing
Aliases: Harald Giersing, Giersing Harald
Gender: nwoke
Obodo onye nka: Danish
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Obodo onye nka: Denmark
nhazi ọkwa: omenkà nke oge a
styles: Mmetụta post-impression
Afọ ọnwụ: 46 afọ
Amụrụ n'afọ: 1881
Ebe amụrụ onye: Copenhagen, Hovedstaden, Denmark
Nwụrụ n'afọ: 1927
Nwụrụ na (ebe): Copenhagen, Denmark

Ozi ihe ahaziri ahazi

Bipụta ngwaahịa: ọrụ mgbidi
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: German mere
Stockdị ngwaahịa: na mmepụta ihe
Ngwaahịa were: mgbidi mma, art ebipụta gallery
Nhazi nka nka: usoro odida obodo
Ụdị anya: 1.2: 1
Nsonaazụ: ogologo bụ 20% ogologo karịa obosara
Ụdị dị iche iche dị: mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 60x50cm - 24x20", 120x100cm - 47x39"
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: 60x50cm - 24x20", 120x100cm - 47x39"
Nhazi mbipụta nka: agunyeghi

Ngwa ngwaahịa ndị ahịa anyị nwere ike ịhọrọ

The product dropdown menu gives you the opportunity to pick the size and material of your choice. In order match your personal requirements perfectly, you can choose among the following product customization options:

  • Mbipụta enyo acrylic: A glossy print on acrylic glass, often described as a an art print on plexiglass, will turn your favorite original work of art into stunning décor and is a distinct alternative to aluminium and canvas fine art prints. The artwork is being manufactured with the help of state-of-the-art UV direct print technology. Our real glass coating protects your custom fine art print against light and external influences for many more years to come.
  • Kwaaji: The printed canvas material mounted on a wood frame. It generates the extra effect of three dimensionality. Canvas Prints have the advantage of being low in weight, which implies that it is quite simple to hang the Canvas print without the support of additional wall-mounts. A canvas print is suited for any kind of wall in your home.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster is a UV printed sheet of canvas paper with a nice texture on the surface, which reminds the original artwork. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2-6 cm round about the painting, which facilitates the framing.
  • Aluminom ihe eji eme ihe: This is a metal print manufactured on aluminium dibond with an impressive effect of depth. The colors are luminous, the details are very clear.

Nkọwapụta ngwaahịa nka izugbe

Ikpe nke Paris was made by Harald Giersing in 1909. The original was made with the following size: 121,5 x 149 cm. This piece of art belongs to the digital collection of Statens Museum maka Kunst (National Gallery nke Denmark), nke bụ nnukwu ihe ngosi nka nke nka nka na Denmark ma tinye ya na Ministry of Culture Danish.. Nke a ngalaba ọha masterpiece is being supplied, courtesy of National Gallery nke Denmark.Ebe E Si Nweta nke ihe osise:. Ọzọkwa, alignment dị na odida obodo format ya na oke onyonyo nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. The painter Harald Giersing was an artist, whose artistic style can be attributed mainly to Post-Impressionism. The European artist was born in 1881 in Copenhagen, Hovedstaden, Denmark and died at the age of 46 N'afọ 1927 na Copenhagen, Denmark.

Ozi dị mkpa: We try everything to depict the art products as clearly as possible and to showcase them visually in our shop. Although, the pigments of the printed materials and the print result may differ somehwat from the presentation on your monitor. Depending on your settings of your screen and the condition of the surface, not all color pigments can be printed one hundret percent realistically. Because all our art reproductions are printed and processed manually, there might also be slight deviations in the size and exact position of the motif.

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