Julius Victor Berger, 1902 - Nwanyị Japan nọ n'ime ụlọ - ọmarịcha nka

29,99 €

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Background information on the artpiece by the Austrian artist named Julius Victor Berger

Ihe nka nke narị afọ nke 20 akpọrọ Japanese woman in a room mere site na nwoke onye na-ese ihe Julius Victor Berger in 1902. The 110 masterpiece dị afọ tụrụ nha: 47 x 30 cm - akụkụ etiti: 57 x 40 x 4 cm. Mmanụ na kwaaji was used by the Austrian artist as the medium of the piece of art. Moveover, the artwork is in the the digital collection of Belvedere, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. This nkà nke oge a ngalaba ọha artpiece is included with courtesy of © Belvedere, Vienna, inventory number: 535. The creditline of the artwork is the following: legat Mathilde Lowy at Imperial Art Gallery in 1908. What is more, the alignment of the digital reproduction is portrait with a ratio of 2: 3, which implies that the length is 33% shorter than the width. The painter, university teacher Julius Victor Berger was a European artist, whose style can be attributed mainly to Historicism. The Austrian painter was born in the year 1850 in Moravia, Czech Republic, general region and passed away at the age of 52 N'afọ 1902 na Vienna, Vienna steeti, Austria.

Nhọrọ akụrụngwa ngwaahịa gị

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are prints on metal with an outstanding depth effect - for a modern look and non-reflective surface. The Aluminium Dibond Print is your ideal introduction to art reproductions with aluminum.
  • Mbipụta enyo acrylic: The print on acrylic glass, which is sometimes denoted as a UV print on plexiglass, will convert the original work of art into gorgeous wall decoration and forms a good alternative to canvas or aluminium dibond prints. The artwork is being custom-made with state-of-the-art UV printing machines. This makes deep, vibrant print colors. The great upside of an acrylic glass fine art copy is that sharp contrasts plus small color details will be more visible due to the fine tonal gradation.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a printed sheet of canvas with a slight finish on the surface, which reminds the original version of the work of art. The poster print is best qualified for putting the art replica in a custom frame. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2 - 6cm round about the work of art to facilitate the framing with your custom frame.
  • Mbipụta kwaaji: A printed canvas, not to be confused with an artwork painted on a canvas, is a digital image applied on a cotton canvas fabric. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without any wall-mounts. Canvas prints are suited for all kinds of walls.

Nkwupụta iwu: We try our best in order to depict our products as precisely as possible and to exhibit them visually in our shop. At the same time, the pigments of the printing material and the imprint may vary to a certain extent from the image on your device's screen. Depending on the screen settings and the quality of the surface, colors can unfortunately not be printed as exactly as the digital version on this website. Because all art reproductions are processed and printed manually, there may as well be minor deviations in the motif's exact position and the size.

Banyere ihe a

Nkewa ngwaahịa: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: mbipụta dijitalụ (Mbipụta UV ozugbo)
Production: Germany
Stockdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: art mmeputakwa gallery, ụlọ imewe
Nhazi: nhazi ihe osise
Njikwa oyiyi: ogologo: obosara 2:3
Nsonaazụ nke oke onyonyo: ogologo bụ 33% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ site na: Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Ụdị mbipụta aluminom: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Nhazi mbipụta nka: enweghị etiti

Data ndabere gbasara ọrụ nka mbụ

Aha nka: "Japanese woman in a room"
Nhazi nka: sere
Otu izugbe: nkà nke oge a
Narị afọ nka: 20th narị afọ
Emepụtara na: 1902
Afọ nka: karịa afọ 110
Agba na: mmanụ na kwaaji
Akụkụ nke ihe osise izizi: 47 x 30 cm - akụkụ etiti: 57 x 40 x 4 cm
Egosiputara na: Belvedere
Ebe ngosi nka: Vienna, Austria
Weebụsaịtị nke ihe ngosi nka: www.belvedere.at
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: © Belvedere, Vienna, nọmba ngwa ahịa: 535
Ebe kredit nke ọrụ nka: legat Mathilde Lowy at Imperial Art Gallery in 1908

Ozi ndabere izugbe gbasara onye na-ese ihe

aha: Julius Victor Berger
Aha nka ndị ọzọ: professor julius berger, julius berger, Julius Victor Berger, j. berger, prof. jul. berger, jul. berger, prof. jul. berger wien, Berger Julius Victor, Berger Julius Viktor
Gender: nwoke
Obodo onye nka: Ọstrịa
Ọrụ: onye na-ese ihe, onye nkuzi mahadum
Country: Austria
Otu nka: omenkà nke oge a
styles: Akụkọ ihe mere eme
Afọ ọnwụ: 52 afọ
Afọ amụrụ: 1850
Amụrụ na (ebe): Moravia, Czech Republic, mpaghara izugbe
Nwụrụ n'afọ: 1902
Obodo ọnwụ: Vienna, Vienna steeti, Austria

Enwere ikike nwebiisinka © - Artprinta.com (Artprinta)

Original artwork information by Belvedere website (© - Belvedere - Belvedere)

Another, dated 1902 version in Vienna privately owned. There the girl is dressed in a red kimono and holding in his left hand a branch with cherry blossoms. (Illustrated in the catalog "Hidden impressions / Hidden Impressions", MAK Vienna 1990, p 165.) It might be a portrait of Sada Yacco who celebrated her acting company of 1902 in Vienna a highly regarded guest.

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