Ernst Ludwig Kirchner, 1918 - Cyclamen - mbipụta nka mara mma

Ozi ndabere ngwaahịa

In 1918 na nwoke German artist Ernst Ludwig Kirchner made this masterpiece. The original version was made with the size - 31 1/2 × 23 5/8 in (80 × 60 cm) and was painted with the Usoro of mmanụ na kwaaji. The ọrụ nka bụ nke dijitalụ art collection nke Museumlọ ihe ngosi nka nke Obodo in New York City, New York, Njikota Obodo Amerika. We are glad to reference that this artwork, which is part of the ngalaba ọha is provided with courtesy of The Metropolitan Museum of Art, New York, Bequest of Ruth A. Mueller, 2015. Creditline of the artwork: Bequest of Ruth A. Mueller, 2015. N'elu nke ahụ, nhazi nke mmepụta dijitalụ na-abanye Eserese usoro ma nwee oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Ernst Ludwig Kirchner was an artist from Germany, whose art style can primarily be classified as Expressionism. The artist lived for a total of 58 years and was born in 1880 in Aschaffenburg, Bavaria, Germany and deceased in 1938.

Ozi nkowa mgbakwunye from The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

In late 1918 Kirchner moved to a rented farmhouse near Frauenkirch, a few miles from Davos in Switzerland. Upon moving, a period of artistic and physical recovery began for the artist. His experience in World War I had precipitated a deep and long lasting crisis. Cyclamen belongs to a series of still lifes that attest to the artist’s newfound serenity. The study of mountains on the verso is related to the painting Moon Winter Landscape, 1919, in the collection of the Detroit Art Institute. Compositionally and stylistically, the mountain study on the verso is the more interesting work.

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Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Ihe odide acrylic glass: An acrylic glass print, which is often named as a UV print on plexiglass, changes the artwork into beautiful wall decoration. Additionally, the acrylic glass art print forms a viable alternative to aluminium and canvas prints. With a glossy acrylic glass art print contrasts as well as granular image details become more exposed due to the precise tonal gradation.
• Mbipụta nke aluminom: This is a metal print made on aluminium dibond with an outstanding effect of depth, creating a contemporary look thanks to a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is the perfect introduction to fine replicas on alu. For your Direct Aluminium Dibond print, we print your favorite work of art on the aluminium white-primed surface. The white & bright parts of the original artpiece shine with a silk gloss but without any glow. Colors are bright and luminous in the highest definition, the details of the print appear crisp. This print on aluminium is one of the most popular entry-level products and is a modern way to showcase art reproductions, as it puts the viewer’s focus on the whole artwork.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a printed canvas paper with a slightly rough surface texture. The poster print is particularly designed for framing your art replica using a custom frame. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the artwork to facilitate the framing.
• Kwaaji: The canvas print is a printed canvas mounted on a wooden frame. Your printed canvas of this work of art will let you turn your own fine art print into a large size work of art like you would see in a gallery. Canvas Prints have the great advantage of being low in weight, which means that it is easy to hang up the Canvas print without extra wall-mounts. Canvas prints are suitable for all types of walls.

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Ihe dị mkpa: We try our utmost to describe the products as closely as it is possible and to illustrate them visually on the product detail pages. Still, the colors of the print products, as well as the imprint can differ to a certain extent from the representation on the screen. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed as realisitcally as the digital version depicted here. Since our art prints are printed and processed manually, there might as well be minor discrepancies in the motif's exact position and the size.

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