a 20th narị afọ masterpiece mere site na nwoke artist George Bellows in 1911. The 100 eserese dị afọ gbara nha: 106,7 x 152,4 cm (42 x 60 na) e tekwara ya na ọkara mmanụ na kwaaji. Nowadays, the piece of art belongs to the National Gallery of Art's art collection. With courtesy of National Gallery of Art, Washington (ikike ngalaba ọha): . Kedu ihe ọzọ, nhazi ahụ bụ odida obodo na a akụkụ ruru nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara.
Nhọrọ akụrụngwa ngwaahịa enwere ike
Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Nhọrọ ndị a dị maka n'otu n'otu:
- Akwụkwọ mmado ebipụtara (ihe kwaaji): The Artprinta poster print is a UV printed sheet of canvas with a granular surface finish. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2 - 6cm round about the work of art to facilitate the framing with your custom frame.
- Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are prints on metal with an impressive depth effect, which makes a contemporary impression by having a surface structure, which is non-reflective. The Direct Print on Aluminum Dibond is the best introduction to the sophisticated world of fine art prints produced with aluminum. For your Aluminium Dibond print, we print your artpiece onto the aluminium surface. The colors are vivid and luminous in the highest definition, the details appear clear and crisp.
- Mbipụta kanvas: The printed canvas material stretched on a wood stretcher frame. It generates the typical impression of three dimensionality. Canvas prints are relatively low in weight. That means, it is quite simple to hang up the Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.
- Mbipụta enyo acrylic: The print on acrylic glass, often labelled as a fine art print on plexiglass, will transform the artwork into lovely wall decoration. Your own copy of the work of art is being made with the help of state-of-the-art UV direct print machines. The great advantage of an acrylic glass fine art print is that contrasts and smaller details become more exposed with the help of the granular tonal gradation. Our real glass coating protects your chosen art print against sunlight and heat for several decades.
Ozi dị mkpa: We try our best in order to describe our products as exact as possible and to illustrate them visually. Nevertheless, the colors of the print materials, as well as the printing might differ somehwat from the presentation on the monitor. Depending on your settings of your screen and the quality of the surface, not all colors will be printed as realisitcally as the digital version shown here. Because all the art prints are processed and printed manually, there might as well be minor differences in the motif's size and exact position.
Nkọwa ngwaahịa ahaziri ahazi
Nkewa bipụta: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | UV kpọmkwem obibi |
Mmalite ngwaahịa: | emepụtara na Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Ihe eji eme atụmatụ: | gallery mmeputakwa nka, mkpokọta nka (mmeputakwa) |
Ndepụta: | nhazi odida obodo |
Oke akụkụ: | 1.4: 1 - ogologo: obosara |
Oke onyonyo pụtara: | ogologo bụ 40% ogologo karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 70x50cm - 28x20", 140x100cm - 55x39" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 70x50cm - 28x20" |
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhazi mmeputa nka nka: | adịghị |
Nkọwa ọrụ nka
Aha nke ihe nka: | "New York" |
Nhazi nka nka: | sere |
Otu izugbe: | nkà nke oge a |
Narị afọ nka: | 20th narị afọ |
Emepụtara n'afọ: | 1911 |
Afọ nka: | karịa afọ 100 |
Agba na: | mmanụ na kwaaji |
Akụkụ nke ihe osise izizi: | 106,7 x 152,4 cm (42 x 60 na) |
Ụlọ ihe ngosi nka / mkpokọta: | Nnukwu osisi nke Art |
Ebe ebe ngosi nka: | Washington DC, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Nnukwu osisi nke Art |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | National Gallery of Art, Washington |
Nchịkọta dị mkpirikpi nke onye na-ese ihe
Aha onye nka: | George Bellows |
Aha utu aha: | Bellouz Dzhorzh, geo bellows, geo. bellows, George Bellows, בלאוס ג'ורג', Bellows, George Wesley Bellows, Bellows George Wesley, Bellows George |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ: | onye na-agụ akwụkwọ, onye na-ese ihe |
Country: | United States |
nhazi ọkwa: | omenkà nke oge a |
Nwụrụ anwụ: | 43 afọ |
Afọ ọmụmụ: | 1882 |
Nwụrụ n'afọ: | 1925 |
Ederede a bụ ikike ọgụgụ isi ma chekwaa ya site na nwebisiinka © - Artprinta (www.artprinta.com)
Additional information as provided by National Gallery of Art (© - National Gallery of Art - Nnukwu osisi nke Art)
Completed in February 1911, New York is a large, ambitious painting in which George Bellows captures the essence of modern life in New York City. Although the viewer looks uptown toward Madison Square from the intersection of Broadway and 23rd Street, Bellows did not intend to represent a specific, identifiable place in the city. He instead drew on several bustling commercial districts to create an imaginary composite, an impossibly crowded image that would best convey a sense of the city’s frenetic pace.
By assembling all of these diverse elements into one scene, Bellows revolutionized the conventions of the traditional American urban vista and surpassed the efforts of other contemporary urban realists, like Robert Henri (American, 1865 - 1929) and John Sloan (American, 1871 - 1951). A critic commented that New York is full of “motion, of stirring existence. Trucks are darting through the crowd. Men and women are hurrying across the streets, trolleys are clanging their way in and out, a policeman is keeping people from being run over, you feel the rush, you hear the noise, and you wish you were safely home.”