John Frederick Peto, 1906 - Ìhè nke ụbọchị ndị ọzọ - ọmarịcha nka

What does the Art Institute Chicago say about the 20th century work of art created by John Frederick Peto? (© Copyright - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Lights of Other Days, like many of John F. Peto’s still lifes, is replete with nostalgia. Strewn along a shallow shelf above a doorframe is an array of old, well-worn objects: candleholders with wax candles nearly used up, rusty oil lamps, and torn books. These discarded commonplace objects allude to older ways of life and fading memories. Peto specialized in trompe l’oeil (fools the eye) pictures; yet his soft-edged style is suggestive of the artist’s hand rather than the heightened illusionism employed by other trompe l’oeil painters such as William Harnett. Trained in Philadelphia, Peto stopped exhibiting his work at professional venues by 1890, creating compositions instead for local patrons near his New Jersey home.

Nkọwapụta ngwaahịa nka

In 1906 na nwoke American painter John Frederick Peto painted this painting. The 110 eserese dị afọ na-atụ nha: 77,5 × 45 1/4 cm (30 1/2 × 45 1/4 in). Oil on canvas was used by the painter as the technique for the artwork. The original painting has the following inscription: signed, on verso: "John F. Peto". Ibe nka dị n'ime Ụlọ ọrụ Art nke Chicago nchịkọta. Nke nkà nke oge a artwork, nke bụ akụkụ nke ngalaba ọha a gụnyere ya na nkwanye ùgwù nke Ụlọ ọrụ Art Chicago. Ebe kredit nke ọrụ nka: Ụgwọ nke ụlọ ọrụ Goodman Fund. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ odida obodo na akụkụ ruru nke 3: 2, which implies that the length is 50% longer than the width. John Frederick Peto was a painter, whose artistic style can mainly be assigned to Realism. The North American painter was born in the year 1854 in Philadelphia, Philadelphia county, Pennsylvania, United States and passed away at the age of 53 in the year 1907 in New York City, New York state, United States.

Họrọ ihe kacha amasị gị

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta nke aluminom: An Aluminium Dibond print is a print with a true depth effect. A direct Direct Print on Aluminum Dibond is the best start to prints with aluminum. For the Direct Print On Aluminum Dibond, we print your selected artwork on the aluminium surface. The colors of the print are luminous and vivid in the highest definition, the details of the print appear crisp and clear, and the print has a a matte appearance that you can literally feel.
• Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a printed canvas with a slightly roughened surface texture. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2 - 6cm around the painting in order to facilitate the framing.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often described as a UV print on plexiglass, will change the original into wonderful home decoration.
• Mbipụta kanvas: A printed canvas stretched on a wooden frame. How do I hang a canvas print on the wall? Canvas prints are relatively low in weight. This means, it is quite simple to hang the Canvas print without the help of any wall-mounts. A canvas print is suitable for any type of wall.

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Nkọwapụta ngwaahịa

Ederede iwu: We try our best to depict the products as exact as possible and to display them visually. Although, the pigments of the printing material, as well as the printing can differ slightly from the representation on your screen. Depending on the settings of your screen and the condition of the surface, color pigments might not be printed as exactly as the digital version. Since the fine art prints are printed and processed by hand, there might as well be slight differences in the exact position and the size of the motif.

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