John Singer Sargent, 1902 - Peter AB Widener - mbipụta nka mara mma

(© Nwebiisinka - National Gallery of Art - www.nga.gov)

Financier, politician, and philanthropist Peter Arrell Brown Widener (1834–1915) made his fortune through multiple entrepreneurial enterprises, including investments in trolley cars and public transit systems in his native Philadelphia and elsewhere. An avid art collector, Widener filled Lynnewood Hall, his mansion just outside Philadelphia, with European paintings, oriental carpets, and Chinese porcelain. In 1942, this portrait, along with other items in Widener’s collection, was given to the National Gallery of Art by his son Joseph (1872–1943).

Shown in a three-quarter view, Widener stands beside a paneled wooden door, his left hand resting on the doorknob and his body and gaze turned to the right. The painting’s dramatic lighting casts much of Widener’s face in shadow, resulting in a striking chiaroscuro effect reminiscent of the Dutch and Flemish 17th-century paintings Widener admired. In fact, this painting hung over the mantelpiece in the Van Dyck room at Lynnewood Hall, where Widener’s celebrated collection of Van Dyck portraits also hung. Edith Appleton Standon, curator of the elder Widener’s collection, later recalled Joseph Widener remarking that Sargent “had not wanted his picture to be in such company but that [Peter Widener] considered that it held its own very well.” After completing this portrait in London in 1902, Sargent went on to paint Widener again the following year at Lynnewood Hall–a painting now in the collection of the Philadelphia Museum of Art.

Ozi gbasara ngwaahịa ebipụta

The 20th narị afọ work of art was created by the male American onye na-ese ihe John Onye ọbụ abụ. Ụdị nke masterpiece nwere nha ndị a: 148,9 x 98,4 cm (58 5/8 x 38 3/4 na). Mmanụ na kwaaji was used by the American artist as the medium of the artwork. Today, the artpiece is included in the digital art collection of Nnukwu osisi nke Art in Washington D.C., United States of America. This ngalaba ọha a na-enye ọrụ nka site n'ikike nke National Gallery of Art, Washington.Additionally, the work of art has the following creditline: . Further, the alignment is Eserese na nwere akụkụ ruru nke 2: 3, meaning that the length is 33% shorter than the width. John Singer Sargent was a painter, whose art style can be classified as Impressionism. The North American painter lived for 69 afọ, amuru na 1856 na Florence, mpaghara Firenze, Tuscany, Italy ma nwụọ n'afọ 1925.

Họrọ ihe gị

Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ akụrụngwa na nha masịrị gị. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta kanvas: A UV printed canvas material stretched on a wood frame. It generates the typical impression of three-dimensionality. Further, a canvas generates a lovely and comfy appearance. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the help of extra wall-mounts. Canvas prints are suitable for any type of wall.
• Mbipụta nke aluminom: An Aluminium Dibond print is a print material with a true depth, creating a contemporary impression by having a surface , which is non-reflective. For our Aluminium Dibond option, we print your chosen artwork on the aluminium surface.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster print is a UV printed sheet of canvas paper with a nice surface texture. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6 cm around the print motif, which facilitates the framing with your custom frame.
• Bipụta na enyo acrylic: The print on acrylic glass, often described as a an art print on plexiglass, will change your favorite original into beautiful décor and offers a good alternative option to canvas or dibond art prints. The great upside of an acrylic glass fine art copy is that contrasts and also smaller painting details become more exposed with the help of the delicate gradation.

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Ozi dị mkpa: We try the best we can in order to describe the products in as much detail as possible and to showcase them visually in our shop. Please keep in mind that the tone of the print materials, as well as the printing might differ somehwat from the representation on your device's screen. Depending on the screen settings and the condition of the surface, colors may not be printed 100% realistically. Since our art prints are printed and processed manually, there might also be minor differences in the motif's size and exact position.

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