Thomas Eakins, 1900 - Oriakụ Mary Arthur - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwapụta akụkọ izugbe
Nke a kariri 120 year-old piece of art with the title "Mrs. Mary Arthur" was created by the nwoke onye na-ese ihe Thomas Eakins n’afọ 1900. Ihe gafere 120 afọ mbụ e sere na size nke 24 x 20 n'ime (61 x 50,8 cm) and was painted with oil on canvas. This piece of art is part of the The Metropolitan Museum of Art's art collection. The modern art ngalaba ọha artpiece gụnyere na nkwanye ùgwù nke The Metropolitan Museum of Art, New York, Gift of Mary Arthur Bates, 1965. Also, the artwork has the following creditline: Gift of Mary Arthur Bates, 1965. The alignment is portrait and has a ratio of 1: 1.2, which means that the length is 20% shorter than the width. Thomas Eakins was a photographer, painter, sculptor, art educator of American nationality, whose art style was mainly Realism. The painter was born in 1844 in Philadelphia, Philadelphia county, Pennsylvania, United States and died at the age of 72 na 1916.
General description as provided from the museum's website (© Copyright - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
This bust-length portrait depicts the seventy-six-year-old mother of Eakins’s artist-friend Robert Arthur. As a representation of an elderly model absorbed in an old-fashioned task, the work recalls Eakins’s The Writing Master, a portrait of his father, hanging nearby. Here, as in the earlier painting, the artist used strong contrasts of light and dark to define forms and highlight the hands and face, suggesting both manual dexterity and the wisdom of age. Its austere palette and quiet eloquence also reveal Eakins’s study of works by the seventeenth-century masters Rembrandt, Ribera, and Velázquez.
Tebụl a haziri ahazi nke ihe osise
Aha ọrụ nka: | "Mrs. Mary Arthur" |
Nhazi nka nka: | sere |
Otu sara mbara: | nkà nke oge a |
Time: | 20th narị afọ |
Emepụtara na: | 1900 |
Afọ nka: | karịa afọ 120 |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ nke ihe osise izizi: | 24 x 20 n'ime (61 x 50,8 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Ibe weebụ: | Museumlọ ihe ngosi nka nke Obodo |
License: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Gift of Mary Arthur Bates, 1965 |
Ebe kredit nke ọrụ nka: | Gift of Mary Arthur Bates, 1965 |
Tebụl nyocha nke onye na-ese ihe
aha: | Thomas Eakins |
Aha ndi ozo: | Eakins Thomas Cowperthwait, Thomas Eakins, Eakins, Eakins Thomas, Cook C.D., C.D. Cook, Eakins Thomas Cowperthwaite |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ onye na-ese ihe: | photographer, art educator, painter, sculptor |
Country: | United States |
Nkewa onye nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Ihe ngosi |
Nwụrụ anwụ: | 72 afọ |
Afọ amụrụ: | 1844 |
Ebe omuma: | Philadelphia, Philadelphia County, Pennsylvania, Njikota Obodo Amerika |
Afọ ọnwụ: | 1916 |
Nwuru na (ebe): | Philadelphia, Philadelphia County, Pennsylvania, Njikota Obodo Amerika |
Nweta ihe ebipụta nka kacha amasị gị
The product dropdown menu ofers you the opportunity to pick your prefered material and size. Thus, we allow you to choose among the following options:
- Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster is a UV printed sheet of flat canvas paper with a fine structure on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin of around 2 - 6cm around the print, which facilitates the framing with your custom frame.
- Mpempe iko acrylic na-egbuke egbuke: A glossy acrylic glass print, which is often denoted as a fine art print on plexiglass, changes your favorite original work of art into stunning home decoration. In addition, the acrylic glass fine art print makes a viable alternative to dibond and canvas fine art prints. Our plexiglass protects your custom fine art print against sunlight and external influences for many years.
- Kwaaji: A UV printed canvas material mounted on a wooden stretcher frame. Canvas prints are relatively low in weight, which means that it is quite simple to hang your Canvas print without the use of any wall-mounts. A canvas print is suitable for any kind of wall.
- Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond material with an impressive depth effect. Its non-reflective surface structure make a contemporary impression. The Aluminium Dibond Print is your excellent introduction to the sophisticated world of fine reproductions produced on aluminum. For the Print On Aluminum Dibond, we print the favorite artwork right onto the surface of the white-primed aluminum. The bright parts of the artpiece shimmer with a silk gloss, however without glow. This direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is a truly modern way to showcase art prints, because it puts 100% of the viewer’s focus on the whole artwork.
Ngwaahịa a
Ụdị edemede: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite ngwaahịa: | German mere |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | ụlọ mmepụta ihe nka, mgbidi gallery |
Ntuziaka onyonyo: | usoro eserese |
Oke akụkụ onyonyo: | (ogologo: obosara) 1: 1.2 |
Ntụgharị nkọwa akụkụ onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ụdị dị iche iche dị: | ígwè obibi akwụkwọ (aluminium dibond), akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | adịghị |
Ihe dị mkpa: We try what we can in order to describe our art products as accurately as possible and to exhibit them visually. Nonetheless, the tone of the printing material and the print result might diverge to a certain extent from the presentation on the screen. Depending on the settings of your screen and the quality of the surface, not all color pigments can be printed one hundret percent realistically. Because all our are printed and processed manually, there might as well be slight variations in the motif's size and exact position.
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