William A. Harper, 1905 - Osisi, Oge ehihie, France - ọmarịcha nka
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In 1905 the artist William A. Harper painted the modern art masterpiece. The version of the work of art measures the size: 20 × 26 na (50,8 × 66 cm). Oil on canvas was used by the painter as the technique for the work of art. The work of art is included in the Ụlọ ihe ngosi nka nke Metropolitan art collection located in New York City, New York, United States of America. With courtesy of The Metropolitan Museum of Art, New York, Marguerite and Frank A. Cosgrove Jr. Fund, 2015 (licensed: public domain). Furthermore, the artwork has the creditline: Marguerite and Frank A. Cosgrove Jr. Fund, 2015. Besides, the alignment is in landscape format with an aspect ratio of 4 : 3, which implies that ogologo bụ 33% ogologo karịa obosara.
Nkọwa site na webụsaịtị ihe ngosi nka (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
This rare work by the African American landscape painter William A. Harper depicts a bucolic scene in the French countryside. Canadian-born and Chicago-trained, Harper also studied informally in Paris with Henry Ossawa Tanner, the leading African American expatriate of his generation. Harper’s interest in painting regional subjects outside of Paris’s urban environs was shared by many American artists in these years. In transitional works such as this scene, Harper revealed the influence on his art of the French Barbizon painters as well as the Impressionists and Post-Impressionists.
Ozi ndabere nka
Aha nka: | "The Trees, Early Afternoon, France" |
Nhazi nka nka: | sere |
Nhazi nka: | nkà nke oge a |
Century: | 20th narị afọ |
Emepụtara na: | 1905 |
Afọ nka: | ihe dị ka afọ 110 |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi nka: | 20 × 26 na (50,8 × 66 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | www.metmuseum.org |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Marguerite na Frank A. Cosgrove Jr. Fund, 2015 |
kreditline ọrụ nka: | Marguerite na Frank A. Cosgrove Jr. Fund, 2015 |
Onye na-ese ihe
Ihe nkiri: | William A. Harper |
okike nke onye nka: | nwoke |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
nhazi ọkwa: | omenkà nke oge a |
Nwụrụ anwụ: | 37 afọ |
Afọ amụrụ: | 1873 |
Afọ ọnwụ: | 1910 |
Nhọrọ ihe
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Nhọrọ ndị a dị maka n'otu n'otu:
- Ugogbe acrylic ebipụtara: The acrylic glass print, often referenced as a print on plexiglass, will turn the artwork into great wall decoration. Your favorite work of art will be manufactured with the help of state-of-the-art UV direct print machines. This creates the impression of intense, deep color tones. With an acrylic glass fine art print sharp contrasts plus small artwork details become more recognizeable due to the fine gradation. The real glass coating protects your selected fine art print against sunlight and external influences for many years.
- Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an impressive effect of depth, which creates a fashionable look throuch a non-reflective surface. A direct Direct Print on Aluminum Dibond is your excellent introduction to the sophisticated world of art prints with aluminum. The bright & white parts of the artpiece shimmer with a silk gloss but without glare. The colors of the print are luminous, the fine details are very clear.
- Kwaaji: The UV printed canvas material stretched on a wood frame. Canvas prints are relatively low in weight, which implies that it is quite simple to hang your Canvas print without extra wall-mounts. Canvas prints are suitable for all types of walls in your home.
- Poster (akwa akwa akwa): The poster print is a UV printed canvas paper with a fine surface structure, which resembles the original version of the masterpiece. It is designed for framing your art replica with the help of a custom-made frame. Please note, that depending on the size of the poster print we add a white margin between 2-6cm around the work of art, which facilitates the framing with your custom frame.
Ngwaahịa a
Nkewa edemede: | ọrụ mgbidi |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | mbipụta dijitalụ |
Ihe ngosi: | Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | ihe ndozi ụlọ, ụlọ ihe osise nka |
Nhazi nka nka: | usoro odida obodo |
Ụdị anya: | 4: 3 |
Mmetụta nke akụkụ akụkụ: | ogologo bụ 33% ogologo karịa obosara |
Akwa mmeputakwa dị: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Mpempe akwụkwọ Dibony (ihe alumnium) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhazi mmeputa nka nka: | na-enweghị etiti |
Ederede iwu dị mkpa: We try all that we can to depict the products as accurate as it is possible and to display them visually. Still, the tone of the print materials, as well as the printing might vary marginally from the image on your monitor. Depending on the screen settings and the nature of the surface, color pigments may not be printed 100% realistically. Bearing in mind that all our art reproductions are processed and printed manually, there may as well be slight discrepancies in the motif's size and exact position.
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