Albert Bierstadt, 1859 - Ọmụmụ ndị isi ndị India mere na Fort Laramie - ọmarịcha nka.

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ozi nka sitere na weebụsaịtị The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Bierstadt arrived at Fort Laramie, in present-day Wyoming, as a member of the expedition to the western portion of the Nebraska Territory with Colonel Frederic W. Lander in June 1859, during a time of tense relations between the Western Sioux (Teton) and the United States government. Bierstadt made vivid field sketches of the Indians he encountered there, including this powerful depiction of the heads of four chiefs. The artist intently observed and recorded the costume and physiognomy of each man, inscribing each one’s name below his head. In the foreground of the major painting that resulted from this trip, "The Rocky Mountains, Lander’s Peak" (07.123), several of the male figures at the lower right may have been inspired by the present study.

Nkọwa ngwaahịa nka

The 19th narị afọ ihe osise na-ese onye ihunanya artist Albert Bierstadt in 1859. The over 160 year old original version measures the exact dimensions: 13 x 16 7/8 in (33 x 42,9 cm). Oil and graphite on paper was used by the North American painter as the technique for the piece of art. Besides, the artwork can be viewed in in the digital collection of Museumlọ ihe ngosi nka nke Obodo, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are pleased to reference that this masterpiece, which belongs to the ngalaba ọha a na-enye ya site n'ikike nke The Metropolitan Museum of Art, New York, Purchase, Adrienne Arsht, Stainman Family Foundation Inc., and Charles and Jane Klein Family Fund Gifts, 2012. Creditline of the artwork: Purchase, Adrienne Arsht, Stainman Family Foundation Inc., and Charles and Jane Klein Family Fund Gifts, 2012. The alignment of the digital reproduction is landscape with a side ratio of 4: 3, meaning that the length is 33% longer than the width. The painter Albert Bierstadt was a North American artist from United States, whose art style can mainly be assigned to Romanticism. The American painter was born in the year 1830 na Solingen, North Rhine-Westphalia, Germany ma nwụọ mgbe ọ dị afọ 72 na 1902 na Irving, Chautauqua county, New York steeti, United States.

Họrọ ngwa ngwaahịa ịchọrọ ịnwe

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

  • Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke (ya na mkpuchi iko n'ezie): A glossy print on acrylic glass, often described as a print on plexiglass, changes the original into brilliant wall decoration. In addition, it makes a good alternative to dibond or canvas fine art replicas. Your own replica of the artwork is made with state-of-the-art UV direct print technology. The major benefit of an acrylic glass fine art print is that sharp contrasts and also image details become more identifiable due to the precise tonal gradation of the picture. The acrylic glass protects your custom art replica against light and heat for many years to come.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a printed flat canvas paper with a slightly rough surface finish, that reminds the original artwork. It is optimally appropriate for framing your fine art print with a custom frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm around the painting to facilitate the framing with your custom frame.
  • Mbipụta kwaaji: A printed canvas, which should not be confused with a real painting on a canvas, is an image printed onto cotton canvas material. It produces a sculptural effect of three dimensionality. A canvas of this masterpiece will allow you to transform your art print into a large work of art as you would see in a true gallery. Hanging your canvas print: A canvas print has the advantage of being relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without any wall-mounts. Because of thatcanvas prints are suited for all types of walls in your home.
  • Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with a true depth. A direct Aluminium Dibond Print is the perfect start to the sophisticated world of fine art reproductions on aluminum. For our Direct Print On Aluminum Dibond, we print the favorite artpiece onto the surface of the white-primed aluminum material.

Banyere onye na-ese ihe

Aha onye nka: Albert Bierstadt
Aha ndị ọzọ: Albert Bierstadt, Bierstadt Albert, Bierstadt
Gender: nwoke
Nationality: American
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Country: United States
Nhazi nke onye nka: omenkà nke oge a
Ụdị nka: Ihunanya
Ndụ: 72 afọ
A mụrụ: 1830
Obodo amụrụ: Solingen, North Rhine-Westphalia, Germany
Nwụrụ n'afọ: 1902
Obodo ọnwụ: Irving, Chautauqua County, New York steeti, Njikota Obodo Amerika

Nkọwa na mpempe nka

Aha nka: "Studies of Indian Chiefs Made at Fort Laramie"
Nhazi nka: sere
Nhazi nka: nkà nke oge a
Narị afọ nka: 19th narị afọ
Afọ okike: 1859
Ogologo afọ nka nka: 160 afọ
Ọkara nke ihe osise izizi: oil and graphite on paper
Nha ihe osise izizi: 13 x 16 7/8 na (33 x 42,9 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
URL webụ: Museumlọ ihe ngosi nka nke Obodo
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Purchase, Adrienne Arsht, Stainman Family Foundation Inc., and Charles and Jane Klein Family Fund Gifts, 2012
kreditline ọrụ nka: Purchase, Adrienne Arsht, Stainman Family Foundation Inc., and Charles and Jane Klein Family Fund Gifts, 2012

Banyere ngwaahịa

Nkewa bipụta: nka nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ
Production: Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Ojiji ngwaahịa: ihe ndozi ụlọ, ụlọ ihe osise nka
Nhazi nka nka: nhazi odida obodo
Oke akụkụ: ogologo ruo obosara 4: 3
Nkọwa nke oke onyonyo a: ogologo bụ 33% ogologo karịa obosara
Ụdị ngwaahịa dị iche iche: Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
ụba: na-enweghị etiti

Nkwupụta iwu: We try the best we can in order to depict the products as closely as possible and to demonstrate them visually in our shop. Nonetheless, the colors of the print materials, as well as the imprint may diverge marginally from the presentation on the device's screen. Depending on your screen settings and the quality of the surface, color pigments may not be printed 100% realistically. Considering that our are printed and processed manually, there may also be minor discrepancies in the size and exact position of the motif.

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