Anthony van Dyck, 1627 - Eserese ma ọ bụ Peeter Stevens (c.1590-1668) - mbipụta nka mara mma.

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The 17th narị afọ onye na-ese ihe na-ese ihe osise Anthony Van Dyck. The 390 year-old artwork measures the exact dimensions: height: 112,5 cm width: 99,4 cm | height: 44,3 in width: 39,1 in. Mmanụ na kwaaji was used by the European painter as the medium of the masterpiece. "Dated and signed: ÆT. SUA 37 / 1627 Ant.° van Dijck. fecit." is the artwork's original inscription. Furthermore, the piece of art is in the the Ndị Maurithuis collection located in The Hague, South Holland, Netherlands. This ngalaba ọha A na-enye ibe nka site n'ikike nke Maurithuis, Hague. The creditline of the artwork is the following: Peeter Stevens, Antwerp; Govert van Slingelandt, The Hague, in or before 1752-1767; his widow, Agatha Huydecoper, The Hague, 1767-1768; Van Slingelandt sale, The Hague, 18 May 1768 (Lugt 1683), no. 7; the entire collection sold to Prince William V; Prince William V, The Hague, 1768-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. Moreover, alignment of the digital reproduction is in Eserese usoro na oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The translator, author, dramaturge, painter, theater director, etcher Anthony van Dyck was a European artist from the Netherlands, whose art style was primarily Baroque. The artist was born in the year 1599 na Antwerp, Antwerpen n'ógbè, Flanders, Belgium na nwụrụ mgbe ọ dị afọ 42 na 1641.

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In the product dropdown menu you can choose your prefered material and size. We allow you to pick your favorite size and material among the following product individualization options:

• Mbipụta kwaaji: A canvas print, which should not be confused with an artwork painted on a canvas, is a digital image printed on a UV direct printing machine. Your printed canvas of your favorite artpiece will let you turn your personal fine art print into a large artpiece as you would see in a gallery. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without additional wall-mounts. A canvas print is suited for any kind of wall.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster is a printed cotton canvas with a granular surface finish. It is particularly qualified for putting your art replica in a customized frame. Please note, that depending on the size of the poster we add a white margin 2 - 6cm around the print to facilitate the framing with a custom frame.
• Mbipụta enyo acrylic: An acrylic glass print, often denoted as a plexiglass print, changes an original artwork into wonderful décor. Your own replica of the work of art is printed with the help of modern UV direct printing machines. It makes sharp, rich print colors. The major benefit of a plexiglass print is that sharp contrasts and small image details become recognizeable because of the granular tonal gradation.
• Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an impressive depth effect. The non-reflective surface make a fashionable look. For our Direct Print On Aluminum Dibond, we print your chosen artpiece onto the aluminium surface. The white & bright parts of the artwork shimmer with a silk gloss but without any glare. Colors are bright and vivid in the highest definition, details of the print are crisp. This UV print on Aluminum Dibond is one of the most demanded entry-level products and is a sophisticated way to showcase art prints, since it puts the viewer’s focus on the whole artwork.

Ozi dị mkpa: We try whatever we can to depict our products as accurate as possible and to showcase them visually in our shop. Nonetheless, the tone of the print products and the imprint might diverge somehwat from the representation on your screen. Depending on the screen settings and the condition of the surface, not all colors are printed as exactly as the digital version. Because the are printed and processed by hand, there might as well be minor differences in the exact position and the size of the motif.

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Peeter Stevens, Antwerp; Govert van Slingelandt, The Hague, na ma ọ bụ tupu 1752-1767; nwunye ya, Agatha Huydecoper, The Hague, 1767-1768; Van Slingelandt ire, The Hague, 18 Mee 1768 (Lugt 1683), mba. 7; mkpokọta niile e rere Prince William V; Prince William V, The Hague, 1768-1795; ndị France weghaara, bufee ya na Museum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Ụlọ ihe nkiri Royal, nke dị na Prince William V Gallery, The Hague, 1816; agafere na Maurithuis, 1822