Anthony van Dyck, 1630 - Nwoke na-agba ịnyịnya - mbipụta nka mara mma

Họrọ ụdị ihe onwunwe gị

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Kwaaji: A printed canvas applied on a wood frame. Besides, printed canvas creates a cosy and positive impression. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without the support of any wall-mounts. A canvas print is suited for all types of walls.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): The Artprinta poster is a UV printed sheet of cotton canvas with a slightly roughened surface finish, that reminds the actual masterpiece. It is appropriate for putting the fine art print using a personal frame. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2 - 6cm round about the print motif in order to facilitate the framing.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often denoted as a fine art print on plexiglass, transforms your favorite artwork into lovely décor. The artwork is being made with modern UV direct print technology. With an acrylic glass art print contrasts and also color details become more identifiable due to the granular gradation. Our acrylic glass protects your selected art print against light and external influences for up to 60 years.
• Aluminom dibond mbipụta (ọla): These are metal prints on aluminium dibond material with an impressive depth effect. The colors are luminous and vivid in the highest definition, fine details of the print appear crisp, and you can truly notice the matte appearance of the print.

Ederede iwu dị mkpa: We try our utmost to depict our products as precisely as it is possible and to showcase them visually. Nonetheless, the pigments of the printing material and the print result can diverge marginally from the representation on your monitor. Depending on the screen settings and the condition of the surface, colors may not be printed as exactly as the digital version. In view of the fact that the art prints are printed and processed manually, there may as well be slight differences in the motif's size and exact position.

Artwork information from The Metropolitan Museum of Art website (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

O yikarịrị ka e sere obere ihe osise mmanụ ndị a nke Van Dyck na 1630. Ha sitere na nyocha ndị Rubens yiri nke ahụ, a ga-ejikwa ya na studio Van Dyck dị ka ihe atụ maka eserese ndị na-agba ịnyịnya ma ọ bụ foto akụkọ ihe mere eme na okpukperechi.

Onyinye ngwaahịa

Ihe osise nke narị afọ nke 17 A Man Riding a Horse e kere site n'aka nna ukwu baroque Anthony Van Dyck in 1630. A na-ese ụdị nka ahụ na nha: 10 1/8 x 8 7/8 na (25,7 x 22,5 cm) wee jiri teknụzụ mepụta ya mmanụ n'elu osisi. Ọ bụ akụkụ nke mkpokọta nka Museumlọ ihe ngosi nka nke Obodo. Site n'ikike nke: Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye nke Mr. na Oriakụ Siegfried Bieber, 1949 (ikikere: ngalaba ọha). Ebe kredit nke ọrụ nka: Onyinye nke Mr. na Oriakụ Siegfried Bieber, 1949. Ọzọkwa, alignment bụ Eserese na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Anthony van Dyck was a translator, author, dramaturge, painter, theater director, etcher, whose style was primarily Baroque. The Dutch painter was born in 1599 in Antwerp, Antwerpen province, Flanders, Belgium and passed away at the age of 42 N'afọ 1641 na London, Greater London, England, United Kingdom.

Ọrụ tebụl nka

Ozi ederede ahaziri

Nchịkọta nkenke nke onye na-ese ihe

© nwebiisinka | Artprinta (www.artprinta.com)