Anthony van Dyck, 1633 - James Stuart (1612-1655), Duke nke Richmond na Lennox - ọmarịcha nka.

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Nkọwa ndị ọzọ sitere na The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Van Dyck depicts the Duke of Richmond and Lennox—an intimate friend of King Charles I—as a paragon of aristocratic self-possession and nonchalance. With a blonde lovelock spilling over his lace collar, the duke wears the insignia of the Order of the Garter, England’s highest order of chivalry; the portrait may commemorate his investiture in November 1633. The greyhound resting its muzzle on the duke’s hip alludes to the virtue of loyalty as well as the noble pastime of the hunt.

Ozi nka ahaziri

Aha nke eserese ahụ: "James Stuart (1612–1655), Duke of Richmond and Lennox"
nhazi ọkwa: sere
Otu sara mbara: nka ochie
oge: 17th narị afọ
Emepụtara na: 1633
Afọ nka: 380 afọ
Usoro izizi: mmanụ na kwaaji
Akụkụ izizi (ọrụ nka): 85 x 50 1/4 na (215,9 x 127,6 cm)
Egosiputara na: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
weebụsaịtị nke Museum: Museumlọ ihe ngosi nka nke Obodo
Licensedị ikike: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Marquand, Onyinye Henry G. Marquand, 1889
kreditline ọrụ nka: Mkpokọta Marquand, Onyinye nke Henry G. Marquand, 1889

Ozi omenka

aha: Anthony Van Dyck
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Gender: nwoke
Nationality: Dutch
Ọrụ: dramaturge, theater director, translator, author, painter, etcher
Country: mba netherland
nhazi ọkwa: nna ukwu ochie
Ụdị nka: Baroque
Nwụrụ na afọ nke: 42 afọ
Afọ ọmụmụ: 1599
Obodo ọmụmụ: Antwerp, Antwerpen n'ógbè, Flanders, Belgium
Afọ nwụrụ: 1641
Nwuru na (ebe): London, Greater London, England, United Kingdom

Tebụl ngwaahịa

Ụdị ngwaahịa: ezi nka mmeputakwa
Usoro mmeghari: mmeputakwa n'ụdị dijitalụ
Usoro nhazi: Mbipụta UV / dijitalụ
Production: emere na Germany
Stockdị ngwaahịa: a na-achọ
A na-atụ aro iji ngwaahịa eme ihe: foto mgbidi, nchịkọta nka (mmepụta)
Nhazi: usoro eserese
Ụdị anya: ( Ogologo: obosara) 9: 16
Ntụgharị nkọwa akụkụ: ogologo bụ 45% mkpụmkpụ karịa obosara
Nhọrọ dị: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 50x90cm - 20x35", 100x180cm - 39x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x90cm - 20x35", 100x180cm - 39x71"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 50x90cm - 20x35"
Mbipụta nke aluminom: 50x90cm - 20x35"
Nhazi mbipụta nka: agunyeghi

Ngwa ngwaahịa ndị ahịa anyị nwere ike ịhọrọ

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Akwụkwọ mmado na ihe kwaaji: The poster print is a UV printed canvas with a slight surface texture. The poster print is suited for framing the art copy with the help of a custom frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm around the artwork, which facilitates the framing.
  • Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print with a true depth effect. A direct Aluminium Dibond Print is the best start to art prints on aluminum. For our Aluminium Dibond option, we print the chosen work of art onto the aluminium white-primed surface.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, often referenced as a UV print on plexiglass, will turn your favorite original artwork into gorgeous décor. The artwork is being custom-made with the help of modern UV print technology. This creates the image effect of vivid and sharp color tones. Our plexiglass protects your chosen fine art print against light and heat for many years.
  • Kwaaji: The canvas direct print is a printed cotton canvas mounted on a wooden frame. Your printed canvas of this masterpiece will let you turn your new into a large collection piece. How can I hang a canvas print on the wall? The great advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang the Canvas print without the support of any wall-mounts. That is why, canvas prints are suited for all types of walls.

Nkọwa ngwaahịa nka

Na 1633 onye na-ese ihe Anthony Van Dyck painted this classic art work of art. The 380 year old version of the piece of art measures the size: 85 x 50 1/4 na (215,9 x 127,6 cm) ma jiri ya rụọ ya Usoro mmanụ na kwaaji. Ọzọkwa, artwork mejupụtara akụkụ nke Ụlọ ihe ngosi nka nke Metropolitan digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Marquand Collection, Gift of Henry G. Marquand, 1889 (ọha na eze). : Mkpokọta Marquand, Onyinye nke Henry G. Marquand, 1889. N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ Eserese na nwere akụkụ ruru nke 9: 16, nke pụtara na ogologo bụ 45% mkpụmkpụ karịa obosara. Anthony van Dyck was a male translator, author, dramaturge, painter, theater director, etcher from the Netherlands, whose style was mainly Baroque. The Dutch painter was born in the year 1599 na Antwerp, Antwerpen n'ógbè, Flanders, Belgium na ndị nwụrụ anwụ na afọ nke 42 na 1641.

Ozi dị mkpa: We try everythig possible in order to depict the products in as much detail as possible and to demonstrate them visually. Although, the colors of the printed materials, as well as the imprint can differ somehwat from the presentation on your device's monitor. Depending on the settings of your screen and the condition of the surface, not all colors are printed as realisitcally as the digital version shown here. Bearing in mind that all art reproductions are processed and printed by hand, there may also be minor variations in the exact position and the size of the motif.

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