Franz Anton Maulbertsch, 1758 - obe - mbipụta nka mara mma

(© - Belvedere - www.belvedere.at)

This dramatic presentation goes on models such as Rubens' small Cross the Louvre in Paris, on the other hand on Rembrandt's version of the theme in the Alte Pinakothek in Munich back. Rembrandt Maulbertsch takes over the staging of the body of Christ through in relation to the ambient light illumination and the degree of inclination of the cross, Rubens erecting the cross by a soldier with a ladder and the additional support by a second, with his back braces against the wood. An increase experiences the drama of the event nor the fact that the dominant image without this cross ends in the immediate vicinity of the beholder. However Maulbertsch into contact with works of great masters surprised not because in his estate paintings and engravings older artists - including Rubens and Rembrandt - were located. The painting was purchased from the Benediktinerstift Lambach 1934 with the original use or intent is unclear. It is possible that this is a "Exerzierstück", which was later than altar or devotional use. In addition, it has been enjoyed by the Lambacher Father Koloman Fellner, who studied with Martin Johann Schmidt and Jacob Schmutzer, reversed etched to 1779th [Georg Lechner, 9/2009]

Nkọwa ngwaahịa

N'elu 260 ihe osise dị afọ ka e ji see ya Franz Anton Maulbertsch. The version of the painting had the following size: 147 x 113 cm - frame: 167 × 133 × 8 cm. Mmanụ na kwaaji was applied by the painter as the technique for the piece of art. The original artwork is inscribed with the information: "signed lower center on the cloth: Maulbertsch". Moveover, this piece of art is in the the Belvedere's art collection, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. With courtesy of © Belvedere, Vienna, inventory number: 3289 (ikikere: ngalaba ọha). Creditline of the artwork: purchase from Benedictine Lambach in 1934. In addition to this, the alignment of the digital reproduction is portrait and has a side ratio of 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Franz Anton Maulbertsch was a male painter, whose art style can be classified as Baroque. The Austrian painter lived for a total of 72 afọ a mụrụ na 1724 in Langenargen, Baden-Wurttemberg, Germany and deceased in the year 1796 in Vienna, Vienna state, Austria.

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• Mbipụta nke aluminom: An Aluminium Dibond print is a print with an outstanding depth. The Aluminium Dibond Print is the perfect introduction to the sophisticated world of fine replicas on aluminum. The colors are luminous, the fine details of the print appear very clear, and you can literally feel a matte appearance of the surface. The print on aluminium is one of the most popular entry-level products and is an extremely modern way to display art reproductions, because it puts all of the viewer’s attention on the artwork.
• Mbipụta kanvas: The canvas print, which should not be mistaken with a real painting on a canvas, is an image printed on a UV direct printing machine. A canvas creates a familiar and positive impression. Canvas prints are relatively low in weight, which implies that it is quite simple to hang up the Canvas print without the help of any wall-mounts. Because of thata canvas print is suited for all kinds of walls.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is often labelled as a plexiglass print, will change your favorite original artwork into wonderful wall décor and makes a great alternative to aluminium or canvas fine art prints. The artwork is being printed with the help of modern UV print machines. The special effect of this are vibrant, stunning colors. The major upside of a plexiglass print is that sharp contrasts and painting details will be more visible because of the very fine tonal gradation.
• Bipụta akwụkwọ mmado n'ihe kwaaji: The poster print is a UV printed canvas paper with a nice surface finish. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the painting in order to facilitate the framing with a custom frame.

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Important note: We try everything in order to describe our products as clearly as possible and to display them visually. Nevertheless, some colors of the print products, as well as the imprint may vary to a certain extent from the presentation on your screen. Depending on your settings of your screen and the quality of the surface, not all colors will be printed one hundret percent realistically. Because all the are printed and processed by hand, there may also be minor deviations in the motif's exact position and the size.

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