Alessandro Magnasco, 1710 - Theodosius chụpụrụ site na Nzukọ-nsọ site na Saint Ambrose - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi na ngwaahịa ebipụta
In 1710 Alessandro Magnasco painted this painting Theodosius Repulsed from the Church by Saint Ambrose. The 310 year-old artpiece has the size: 61 1/8 × 84 1/16 na (155,3 × 213,5 cm). Oil on canvas was used by the painter as the technique for the artpiece. What is more, this piece of art is in the the art collection of Ụlọ ọrụ Art Chicago, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. The classic art work of art, which is part of the public domain is being provided with courtesy of Ụlọ ọrụ Art Chicago. The creditline of the artwork is: Clyde M. Carr Fund. The alignment of the digital reproduction is odida obodo ya na oke akụkụ nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. Alessandro Magnasco was a male painter, whose art style was mainly Baroque. The artist lived for a total of 82 years - born in 1667 in Genoa, Genova province, Liguria, Italy and deceased in 1749.
Họrọ ihe ị chọrọ
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:
- Ugogbe acrylic ebipụtara: An print on acrylic glass, often referred to as a print on plexiglass, transforms the artwork into gorgeous home decoration.
- Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an outstanding depth effect. For the Direct Print On Aluminum Dibond, we print the favorite artwork on the surface of the white-primed aluminum composite. The white and bright components of the original work of art shine with a silk gloss but without any glare. Colors are luminous in the highest definition, the fine details of the print are clear and crisp, and there’s a matte look that you can literally feel.
- Kwaaji: The canvas print, which should not be mistaken with a painting on a canvas, is a digital image printed from a UV direct printing machine. A canvas print of this work of art will allow you to transform your new fine art print into a large artwork. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up your Canvas print without extra wall-mounts. Canvas prints are suitable for all kinds of walls.
- Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster print is a UV printed flat canvas paper with a slight surface structure, which resembles the original version of the masterpiece. It is appropriate for placing the art print using a custom-made frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin between 2 - 6cm round about the painting to facilitate the framing.
Ozi dị mkpa: We try in order to describe the art products with as many details as possible and to demonstrate them visually. Nevertheless, some colors of the printing material, as well as the printing might differ somehwat from the image on the device's monitor. Depending on your screen settings and the condition of the surface, color pigments can unfortunately not be printed as exactly as the digital version depicted here. In view of the fact that all art reproductions are processed and printed manually, there might also be slight deviations in the exact position and the size of the motif.
Banyere akụkọ
Bipụta ngwaahịa: | ọmarịcha nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | arụpụtara na Germany |
Stockdị ngwaahịa: | a na-achọ |
Ngwaahịa were: | Ụlọ ihe ngosi nka, ụlọ mmepụta ihe nka |
Nhazi onyonyo: | nhazi odida obodo |
Oke akụkụ onyonyo: | 1.4: 1 - ogologo: obosara |
Oke akụkụ pụtara: | ogologo bụ 40% ogologo karịa obosara |
Nhọrọ ihe dị: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko) |
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): | 70x50cm - 28x20", 140x100cm - 55x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 70x50cm - 28x20" |
Aluminium dibond ebipụta (ihe aluminium) dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
ụba: | adịghị |
Tebụl ihe osise
Aha ọrụ nka: | "Theodosius Repulsed from the Church by Saint Ambrose" |
Nhazi nka nka: | sere |
Okwu nche anwụ: | nka ochie |
Narị afọ nka: | 18th narị afọ |
Emepụtara n'afọ: | 1710 |
Ogologo afọ nka nka: | ihe dị ka afọ 310 |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ izizi: | 61 1/8 × 84 1/16 na (155,3 × 213,5 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Ụlọ ọrụ Art Chicago |
Ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | Ụlọ ọrụ Art Chicago |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
Ebe kredit nke ọrụ nka: | Ụgwọ nke ụlọ ọrụ Clyde M. Carr Fund |
Ozi omenka
Ihe nkiri: | Alessandro Magnasco |
Aha ndị ọzọ: | alexandro magnasco genannt lisandrino, magnasco allessandro, alexandro magnasco, Magnasco detto il Lissandrino, Lissendrin, magnasco a., Magnasco Il Lissandrino, Magnasco detto Lissandrino, a. magnasco, Magnasco, Lissandrino Il, Alex. Magnasco gen. Lisandrino, Alessandro Magnasco, Bagnasco, Alessandro Bagnaschi, magnasco alessandro, Magnasco Alessandro, Alessandro Magnasco gen. Lissandrino, alescandro magnasco, Magnasco Alessandro (Lissandrino), Bagnaschi, Alexandre Magnasco, Alexander Magnasco, allessandro magnasco, Il Lissandrino, lisandrino, magnasco aless., Lissandrino |
okike nke onye nka: | nwoke |
Nationality: | Italian |
Ọrụ: | onye na-ese ihe |
Obodo obibi: | Italy |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Ndụ: | 82 afọ |
Afọ ọmụmụ: | 1667 |
Ebe amụrụ onye: | Genoa, mpaghara Genova, Liguria, Italy |
Afọ nwụrụ: | 1749 |
Obodo ọnwụ: | Genoa, mpaghara Genova, Liguria, Italy |
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