Charles Poërson, 1640 - zuru ike na ụgbọ elu banye Egypt - ọmarịcha nka

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Original information about the work of art by the museum's website (© - The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Formerly ascribed to the French painter Simon Vouet (1590-1649), Rest on the Flight into Egypt has only recently been attributed to Poerson, a collaborator and follower of Vouet. Intended to be a small devotional picture, this painting on oak panel depicts a quiet scene of the Holy Family resting; the Virgin Mary sits while an angel brings the plump young Christ Child fruit, and St. Joseph leads their donkey away to graze. The delicate pinks and blues and the transparent treatment of light and shadow create a gentle domestic atmosphere, characteristic of Vouet's Italian-influenced work.

Nkọwa ọrụ nka

Aha eserese: " zuru ike na ụgbọ elu banye Egypt"
Nchịkọta nke ọrụ nka: sere
Category: nka ochie
Narị afọ nka: 17th narị afọ
Emepụtara n'afọ: 1640
Afọ nka: ihe dị ka afọ 380
Agba na: mmanụ n'elu osisi
Akụkụ izizi (ọrụ nka): Nhazi: 57,5 x 67,5 x 6,5 cm (22 5/8 x 26 9/16 x 2 9/16 na); Emebereghị: 35,5 x 45,9 cm (14 x 18 1/16 na)
Ụlọ ihe ngosi nka / mkpokọta: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Ebe nrụọrụ weebụ ihe ngosi nka: Velọ ihe ngosi nka nke Cleveland
Ụdị ikike nka: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
kreditline ọrụ nka: Maazị na Oriakụ William H. Marlatt Fund

Tebụl nkọwa omenkà

aha: Charles Poërson
okike onye nka: nwoke
Nationality: French
Ọrụ: onye na-ese ihe
Mba onye si: France
Nkewa onye nka: nna ukwu ochie
Ụdị nke onye na-ese ihe: Baroque
Nwụrụ na afọ nke: 58 afọ
Afọ ọmụmụ: 1609
Afọ ọnwụ: 1667

Nkọwa ngwaahịa

Nkewa edemede: nka nka
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: emere na Germany
Ụdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: foto mgbidi, gallery mgbidi
Nhazi nke ihe nka: usoro odida obodo
Oke akụkụ onyonyo: ogologo ruo obosara 4: 3
Pụtara nha akụkụ onyonyo: ogologo bụ 33% ogologo karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Mpempe akwụkwọ Dibony (ihe alumnium) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
ụba: na-enweghị etiti

Ngwa ngwaahịa ndị ahịa anyị nwere ike ịhọrọ

N'ime ndetu ndetu na-esote ngwaahịa, ị nwere ike ịhọrọ nha na ihe kacha amasị gị. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Ugogbe acrylic ebipụtara: An print on acrylic glass, often named a fine art print on plexiglass, will change your favorite original work of art into marvellous décor. Moreover, the acrylic art print is a viable alternative to dibond or canvas fine art replicas. With an acrylic glass art print sharp contrasts and granular color details will be identifiable because of the subtle tonal gradation.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster is a UV printed sheet of flat canvas with a granular surface finish. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm around the work of art, which facilitates the framing with your custom frame.
  • Aluminom dibond (ọkpụkpụ ọla): This is a metal print made on aluminium dibond with an impressive depth. For your Aluminium Dibond print, we print your chosen work of art right onto the surface of the white-primed aluminum material. The bright and white components of the artpiece shimmer with a silk gloss but without the glow. The colors are bright and vivid, details of the print are crisp. This direct print on aluminium is the most popular entry-level product and is an extremely contemporary way to showcase art reproductions, because it draws attention on the artwork.
  • Mbipụta kwaaji: The UV printed canvas material stretched on a wood stretcher frame. A canvas makes the special impression of three-dimensionality. Your canvas of your favorite artwork will provide you with the chance of turning your personal into a large artwork. Canvas prints are relatively low in weight. That means, it is quite simple to hang the Canvas print without the use of any wall-mounts. A canvas print is suitable for any type of wall.

Zuo ike n'ụgbọelu gị baa n'Ijipt was made by Charles Poërson. The beyond 380 mbụ dị afọ tụrụ nha: Nhazi: 57,5 x 67,5 x 6,5 cm (22 5/8 x 26 9/16 x 2 9/16 na); Emebereghị: 35,5 x 45,9 cm (14 x 18 1/16 na). Mmanụ na osisi was applied by the French painter as the technique for the masterpiece. Moveover, the piece of art is included in the digital collection of The Cleveland Museum of Art, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. We are glad to mention that the work of art, which belongs to the public domain is provided with courtesy of The Cleveland Museum of Art. Creditline of the artwork: Maazị na Oriakụ William H. Marlatt Fund. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ bụ odida obodo ya na oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter Charles Poërson was an artist from France, whose artistic style can be classified as Baroque. The artist lived for a total of 58 afọ a mụrụ ya n'afọ 1609 ma nwụọ n’afọ 1667.

Ihe dị mkpa: We try the best we can to depict the products as accurate as possible and to illustrate them visually in our shop. Nevertheless, the pigments of the print materials and the imprint may vary slightly from the presentation on the screen. Depending on your settings of your screen and the nature of the surface, not all color pigments will be printed 100% realistically. Bearing in mind that all our fine art prints are printed and processed by hand, there may as well be minor differences in the exact position and the size of the motif.

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