Abraham Bloemaert, 1629 - Coronation Scene - ọmarịcha nka

What you should know the over 390 years old work of art

The more than 390 years old artpiece called Coronation Scene was created by Abraham Bloemaert. The original version had the following dimensions 35-1 / 2 x 85-1 / 2 na ma were ihe osise ese Usoro mmanụ na kwaaji. Ihe osise a dị na Ụlọ ihe ngosi nka nke Indianapolis digital art collection located in Indianapolis, Indiana, United States of America. With courtesy of - Indianapolis Museum of Art (ọha na eze).: . Ọzọkwa, nhazi nke mmepụta dijitalụ bụ odida obodo n'akụkụ akụkụ nke 5: 2, nke pụtara na ogologo bụ ugboro abụọ na ọkara ogologo karịa obosara. Abraham Bloemaert was a male painter, printmaker from the Netherlands, whose art style can be attributed mainly to Baroque. The European painter was born in the year 1566 in Gorinchem, South Holland, Netherlands and deceased at the age of 85 in 1651 in Utrecht, Utrecht province, Netherlands.

Nkọwapụta izugbe nke Indianapolis Museum of Art (© - site na Indianapolis Museum of Art - www.discovernewfields.org)

Abraham Bloemaert was the chief representative of the late Mannerist style of painting in Holland. Works such as this one were meant to delight the viewer with their mastery of the human figure and the exploitation of its dynamic potential. Poses and gestures are exaggerated and highly artificial passages are contrasted with more naturalistic ones. Mannerist compositions frequently make learned reference to uncommon themes. The victorious general in this coronation scene may be David receiving the spoils of war after the Jewish defeat of the Ammonites at Rabbah.

Marian and Harold Victor Fund and James E. Roberts Fund

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Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often referenced as a print on plexiglass, will change your favorite original into gorgeous wall decoration. Your own version of the work of art is manufactured with modern UV direct print technology. With an acrylic glass art print contrasts as well as granular image details will be more recognizeable due to the very subtle tonal gradation in the picture. The real glass coating protects your chosen art print against light and heat for decades.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: Our poster print is a printed canvas with a fine surface finish. It is best suited for placing the art replica in a personal frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the painting, which facilitates the framing with a custom frame.
• Kwaaji: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. Furthermore, a canvas print creates a cosy and warm appearance. A canvas print of your favorite masterpiece will provide you with the chance to transform your art print into a large collection piece as you know from art galleries. Hanging your canvas print: A canvas print has the advantage of being low in weight, which implies that it is quite simple to hang up the Canvas print without any wall-mounts. Hence, canvas prints are suitable for any kind of wall.
• Mbipụta nke aluminom: An Aluminium Dibond print is a print with a true effect of depth - for a modern look and a non-reflective surface. A direct Direct Print on Aluminum Dibond is the perfect introduction to fine art prints made on aluminum. For your Aluminium Dibond option, we print your favorite artpiece onto the surface of the aluminum material. The white and bright parts of the original work of art shine with a silky gloss, however without any glow.

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Ozi dị mkpa: We try our utmost to depict our art products in as much detail as possible and to showcase them visually in our shop. Nevertheless, some pigments of the print products, as well as the printing may differ somehwat from the image on your device's screen. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed 100% realistically. Because all the art reproductions are printed and processed manually, there may as well be minor variations in the motif's size and exact position.

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