Claude Lorrain, 1636 - Ford - mbipụta nka mara mma

Nchịkọta ngwaahịa nka

Ihe osise dị afọ 380 ka e kere site na nwoke artist Claude Lorrain. The 380 year old artpiece had the following exact size: 29 1/4 x 39 3/4 na (74,3 x 101 cm) e were kwa ihe-ọcha tee ya mmanụ na kwaaji. Taa, artpiece bụ nke Ụlọ ihe ngosi nka nke Metropolitan digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This artwork, which is in the public domain is provided with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Fletcher Fund, 1928. : Fletcher Fund, 1928. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ odida obodo na nwere akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Claude Lorrain was a painter from France, whose artistic style was primarily Baroque. The French painter was born in 1600 in Champagne, Auvergne-Rhone-Alpes, France and deceased at the age of 82 Na 1682 na Rome, Rome Province, Lazio, Italy.

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Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

• Mbipụta akwụkwọ mmado (ihe kwaaji): A poster is a UV printed sheet of canvas paper with a slightly rough finish on the surface. It is particularly suited for placing the art copy in a personal frame. Please note, that depending on the size of the poster print we add a white margin 2 - 6cm round about the print, which facilitates the framing with your custom frame.
• Mbipụta enyo acrylic: A glossy acrylic glass print, often described as a print on plexiglass, transforms your artwork into décor. What is more, it makes a distinct alternative option to canvas or aluminium dibond fine art replicas. Your favorite work of art is being custom-made with state-of-the-art UV direct print machines. Our plexiglass with real glass coating protects your chosen fine art print against light and heat for several decades.
• Aluminom dibond mbipụta (ọla): These are metal prints on aluminium dibond material with an outstanding effect of depth - for a modern impression and non-reflective surface structure. For your Direct Aluminium Dibond print, we print your favorite work of art on the aluminium composite white-primed surface. The white & bright components of the artwork shimmer with a silky gloss but without glow. Colors are bright and luminous in the highest definition, fine details of the print are crisp.
• Mbipụta kwaaji: The printed canvas, not to be confused with a painting on a canvas, is a digital image applied on a canvas. Furthermore, a canvas print produces a lovely and comfortable atmosphere. Your printed canvas of your favorite artpiece will provide you with the chance to transform your own into a large work of art as you would see in a gallery. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suitable for any type of wall.

Legal disclaimer: We try whatever we can in order to depict the art products as closely as it is possible and to illustrate them visually in our shop. At the same time, the colors of the print materials and the print result may differ marginally from the presentation on your device's screen. Depending on the settings of your screen and the quality of the surface, colors may not be printed 100% realistically. Since our art reproductions are processed and printed by hand, there might also be minor differences in the size and exact position of the motif.

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Original artwork description by the museum (© Copyright - The Metropolitan Museum of Art - www.metmuseum.org)

This picture is accurately recorded in Claude’s Liber Veritatis, the book of drawings the painter made to record his compositions and to protect himself against forgers and imitators. On the back of the drawing Claude noted that the picture was made for Paris, but the client is not named. In the eighteenth century, this painting belonged to Dr. Richard Mead, the famous collector in London. Then, it was called Morning and was paired with another Claude landscape entitled Evening, which had not been conceived as its pendant.