Claude Lorrain, 1648 - Echiche nke La Crescentia - mbipụta nka mara mma

Artwork description from The Metropolitan Museum of Art website (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

In its immediacy and breadth of handling, this small picture recalls drawings that Claude made from nature in the environs of Rome. The composition is illustrated in the painter’s drawn record book of his work, the Liber Veritatis. The building, which still stands in the outskirts of Rome, was a medieval fortress transformed into a country house, which in the seventeenth century belonged to the aristocratic Crescenzi family. The painting is unique in that it accurately represents an existing building and is not drawn from the artist’s imagination.

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Maka mbipụta nka ọ bụla, anyị na-enye ụdị nha & ihe dị iche iche. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

• Mbipụta kanvas: The canvas direct print is a printed canvas stretched on a wood frame. It has a particular effect of three dimensionality. Besides, printed canvas produces a cosy and enjoyable ambience. Canvas prints are relatively low in weight, which implies that it is quite simple to hang the Canvas print without the use of any wall-mounts. Canvas prints are suited for all kinds of walls in your house.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a printed flat canvas paper with a granular surface structure, that resembles the actual masterpiece. A printed poster is best used for putting your fine art print with the help of a custom frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the artwork to facilitate the framing.
• Ihe odide acrylic glass: An print on acrylic glass, which is sometimes described as a plexiglass print, will transform the original into marvellous home decoration.
• Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are prints on metal with an outstanding depth effect. The white & bright components of the artwork shimmer with a silk gloss, however without glare.

Nkọwa ngwaahịa nka izugbe

Nkà nka ochie a View of La Crescentia mere site na nwoke French painter Claude Lorrain. The artwork was painted with the size: 15 1/4 x 22 7/8 na (38,7 x 58,1 cm) ma were ihe osise ese Usoro mmanụ na kwaaji. Today, the piece of art belongs to the art collection of Museumlọ ihe ngosi nka nke Obodo. Anyị nwere obi ụtọ na-ekwu na nke a artpiece, nke bụ akụkụ nke ngalaba ọha a na-agụnye na nkwanye ùgwù nke The Metropolitan Museum of Art, New York, Purchase, The Annenberg Fund Inc. Gift, 1978. Ihe kredit nke ọrụ nka bụ: Purchase, The Annenberg Fund Inc. Gift, 1978. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ odida obodo ma nwee oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. The painter Claude Lorrain was an artist, whose style can mainly be classified as Baroque. The French artist lived for a total of 82 years - born in the year 1600 in Champagne, Auvergne-Rhone-Alpes, France and died in 1682.

Ozi dị mkpa: We try everything in order to depict our art products as closely as possible and to illustrate them visually. However, the colors of the printing material, as well as the printing might diverge slightly from the representation on the device's screen. Depending on the screen settings and the nature of the surface, not all colors are printed as exactly as the digital version depicted here. Since all the art prints are printed and processed manually, there may as well be slight differences in the motif's size and exact position.

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