Emanuel de Witte, 1680 - Ime ụlọ ụka - mbipụta nka mara mma

(© - Ụlọ ihe ngosi nka nke Cleveland - www.clevelandart.org)

Although this spacious church interior is largely imaginary, Emanuel de Witte’s precise description of architectural forms convinces us that he depicted an actual place. To create a sense of familiarity, he included some specific architectural features from the Oude Kerk (Old Church) in Amsterdam. In the late 1500s, militant Protestant sects occupied Catholic churches in the Netherlands and stripped them of rich decorations and “idolatrous” images. The resulting spare, whitewashed interiors became a favorite subject of Dutch artists, who were intrigued by the interplay of light and shadow over the unadorned walls, and by the challenge of depicting perspectival space.

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Ozi gbasara ngwaahịa nka

a 17th narị afọ masterpiece e kere site na Baroque artist Emanuel de Witte. The artwork has the following size of Nhazi: 89,5 x 80,5 x 6,5 cm (35 1/4 x 31 11/16 x 2 9/16 na); Edebereghị: 62 x 54 cm (24 7/16 x 21 1/4 na) e were kwa ihe-ọcha tee ya mmanụ na kwaaji. The artpiece is included in the The Cleveland Museum of Art's collection in Cleveland, Ohio, United States nke America. With courtesy of The Cleveland Museum of Art (public domain). The creditline of the artpiece is the following: Mr. and Mrs. William H. Marlatt Fund. Further, the alignment of the digital reproduction is in portrait format ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Emanuel de Witte was a painter of Dutch nationality, whose style was primarily Baroque. The Dutch artist was born in the year 1617 in Alkmaar and died at the age of 74 na 1691 na Amsterdam.

Ozi dị mkpa: We try to describe the art products with as many details as possible and to illustrate them visually on the respective product detail pages. Nonetheless, the colors of the printing material, as well as the printing can vary to a certain extent from the presentation on your screen. Depending on the screen settings and the condition of the surface, color pigments can unfortunately not be printed 100% realistically. Since all the art reproductions are processed and printed by hand, there may also be minor variations in the exact position and the size of the motif.

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