Francesco Guardi - Nnukwu ọwa mmiri dị na Venice nwere Palazzo Bembo - mbipụta nka mara mma

Description from The J. Paul Getty Museum website (© Copyright - The J. Paul Getty Museum - Ụlọ ihe ngosi nka nke J. Paul Getty)

A luminous morning haze bathes Venice's Grand Canal. Guided by oarsmen, gondolas and cargo boats glide through the placid water; their hulls traverse the gentle reflections cast by the surrounding buildings. Masts and vertical pilings punctuate the pale, overcast sky. Buildings of varying shapes and scale--but all sharing a muted palette--extend from edge to edge and deep into the distance. On the right, a few early-risers mill about on the banks of the canal.

Francesco Guardi often painted vedute, or views, of Venice's principal waterway. Many of the buildings in this view were palaces of important Venetian families. The most prominent among them is the two-toned Palazzo Bembo on the canal's left bank. Its owners, and Guardi's likely patrons, even appear on the palace's upper balcony.

Guardi appreciated Venice as a city of constant change rather than as a static tourist destination. On the right side, behind the tiny figures on shore, he depicted the Church of San Geremia in the midst of its renovation. The two-toned facade of the Palazzo Bembo draws attention to a recent addition to this Renaissance palace. Amid this urban transformation, Guardi reveals the transitory effects of weather and water on his life-long home of Venice.

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• Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are metal prints with a true depth. The bright & white parts of the original artpiece shine with a silk gloss, however without the glow. The colors are vivid and luminous in the highest definition, the fine details are crisp and clear.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: The poster is a printed flat canvas with a nice texture on the surface. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm round about the print, which facilitates the framing with a custom frame.
• Mbipụta enyo acrylic: An acrylic glass print, which is sometimes denoted as a UV print on plexiglass, changes the artwork into great home decoration.
• Mbipụta kanvas: The canvas print, which should not be confused with a canvas painting, is a digital copy printed directly on canvas. A canvas has the typical look of three-dimensionality. The canvas creates a cosy and pleasing appearance. A printed canvas of this masterpiece will provide you with the opportunity to transform your individual fine art print into a large work of art. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up the Canvas print without additional wall-mounts. That is why, canvas prints are suitable for all types of walls.

Ozi ngwaahịa nka dị omimi

Francesco Guardi created the baroque painting. It belongs to the art collection of The J. Paul Getty Museum in Los Angeles, California, Njikota Obodo Amerika. The ngalaba ọha artpiece gụnyere - site n'ikike nke Ụlọ ihe ngosi nka nke J. Paul Getty.Akụkọ nke ọrụ nka bụ ihe ndị a: . Nhazi nke mmepụta dijitalụ bụ odida obodo ma nwee oke nke 16: 9, nke pụtara na ogologo bụ 78% ogologo karịa obosara. Francesco Guardi was a painter from Italy, whose art style was mainly Baroque. The European artist was born in 1712 na Venice, Venezia n'ógbè, Veneto, Italy ma nwụọ mgbe ọ dị afọ 81 na 1793.

Nkwupụta iwu: We try what we can to describe our products as clearly as possible and to showcase them visually on the various product detail pages. Still, the pigments of the printed materials, as well as the printing can differ slightly from the representation on your screen. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed as exactly as the digital version on this website. Considering that all our are processed and printed manually, there might also be slight discrepancies in the motif's size and exact position.

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