Hendrick ter Brugghen, 1628 - Heraclitus - mbipụta nka mara mma

59,99 €

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Onyinye ngwaahịa ebipụta

N’afọ 1628 na nwoke artist Hendrick ter Brugghen created this baroque artwork titled "Heraclitus". N'ịga n'ihu, enwere ike ịhụ nka nka n'ime Rijksmuseum's nchịkọta nka dijitalụ, nke dị na Amsterdam, Netherlands. The nka ochie ngalaba ọha artpiece na-ọnọ n'ikike nke Rijksmuseum.Ebe E Si Nweta nke ihe osise:. E wezụga nke a, nhazi nke mmepụta dijitalụ bụ Eserese ma nwee oke onyonyo nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Hendrick ter Brugghen was a male painter from the Netherlands, whose style was primarily Baroque. The Dutch artist was born in 1588 na Hague, The, South Holland, Netherlands ma nwụọ mgbe ọ dị afọ 41 n'afọ 1629.

Ezi nka ebipụta anyị na-enye:

Maka mbipụta nka ọ bụla anyị na-enye ụdị nha na ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta kwaaji: The printed canvas material mounted on a wood stretcher frame. The canvas generates a soft and comfy ambience. Canvas prints are relatively low in weight. That means, it is easy to hang the Canvas print without the help of additional wall-mounts. That is why, a canvas print is suited for any type of wall.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a printed sheet of canvas with a slightly roughened finish on the surface. It is particularly suited for placing your art copy with the help of a custom frame. Please keep in mind, that depending on the size of the poster print we add a white margin of around 2-6 cm round about the artwork, which facilitates the framing.
  • Bipụta na iko acrylic na-egbuke egbuke: An acrylic glass print, often referred to as a print on plexiglass, will change your favorite original into gorgeous décor. The great benefit of an acrylic glass fine art print is that contrasts and small details become more identifiable due to the very fine gradation. The real glass coating protects your custom art print against light and external influences for up to 60 years.
  • Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print material with a true depth effect, which makes a fashionable impression with a surface structure, that is not reflective. The Direct Print on Aluminum Dibond is the ideal start to art reproductions with aluminum. The white & bright parts of the original work of art shimmer with a silk gloss but without any glare. The colors are luminous and bright, the details of the print appear clear and crisp. This direct UV print on aluminium is the most popular entry-level product and is a truly stylish way to display art prints, since it puts the viewer’s focus on the replica of the artwork.

Important note: We do whatever we can to describe the products as precisely as possible and to illustrate them visually. However, the colors of the printing material, as well as the imprint can diverge to a certain extent from the presentation on your device's monitor. Depending on the settings of your screen and the condition of the surface, color pigments may not be printed as exactly as the digital version on this website. Considering that all the are printed and processed manually, there might as well be minor discrepancies in the motif's size and exact position.

Ngwaahịa a

Nkewa bipụta: mmepụta nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Mmalite ngwaahịa: Germany
Ụdị ngwaahịa: na mmepụta ihe
Ngwaahịa were: nchịkọta nka (mmeputakwa), imewe ụlọ
Ndepụta: nhazi ihe osise
Oke akụkụ onyonyo: (ogologo: obosara) 1: 1.2
Nsonaazụ: ogologo bụ 20% mkpụmkpụ karịa obosara
Ngwa ngwaahịa dị: Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Mbipụta aluminom (aluminium dibond ihe) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mbipụta nka: adịghị

Nkọwa gbasara ọrụ nka mbụ

Aha nka: "Heraclitus"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
Century: 17th narị afọ
Emepụtara na: 1628
Afọ nka: karịa afọ 390
Ụlọ ihe ngosi nka / ebe: Rijksmuseum
Ebe ngosi nka: Amsterdam, Netherlands
Webụsaịtị ihe ngosi nka: www.rijksmuseum.nl
Licensedị ikike: ngalaba ọha
Site n'aka: Rijksmuseum

Nchịkọta nkenke nke onye na-ese ihe

aha: Hendrick ter Bruggen
A makwaara dịka: Hendrick Terbrugghen, terbrugghen, Hendrick Terbruggen, Terbruggen Hendrik, terbrugghen henrick, Hbrugghen, Terbrugghen Hendrik, טרבורגן הנדריק, Hendrik ter Bruggen, Ten Brugge, terbrueggen, Ter Brugge, hendrik terbrugghen, Terbruggen, Ter Brugge Hendrick, Hendrick ter Brugghen, Brugghen Hendrick Jansz. ter, Ten Brugge Hendrick, Heyndr. ter Burgh, Verbrugh, Enrico d'Anversa, Henrick Terbrugghen, Ter Brug, Hendrik Ter Brugghen, Ter Brugh, Terbrugghen Hendrick, H Brugge, Terbrugghen Hendrick ter, Terbruggen Hendrick, Terbrugh, hendrik terbruggen, Terbrugghen Heinrick, Ter Brugghen Hendrick, Terbrugghen Hendrick Jansz. ter, Brugghen Hendrickjansz. Ter, Henrico ter Bruggen, Ter Brugghen, Van der Brugge, Brugghen Hendrick ter, Terbrugge, Terbrugge Hendrick
okike nke onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Obodo onye nka: mba netherland
Nkewa onye nka: nna ukwu ochie
Ụdị nke onye na-ese ihe: Baroque
Nwụrụ na afọ nke: 41 afọ
A mụrụ: 1588
Ebe omuma: Hague, The, South Holland, Netherlands
Afọ ọnwụ: 1629
Ebe ọnwụ: Utrecht, mpaghara Utrecht, Netherlands

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Nkọwa nka site na Rijksmuseum (© Nwebiisinka - site Rijksmuseum - www.rijksmuseum.nl)

The Greek sage Heraclitus was known as the crying philosopher because he mourned the folly of mankind, while his opposite Democritus (the nearby pendant) could only laugh at it. Here Heraclitus looks like a melancholy old man. Downcast, he leans on a terrestrial globe and gestures dismissively with his left hand, as if to say: ‘All is for nought, the world will come to nothing.’

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