Juan de Valdés Leal, 1672 - Ọmụmụ maka Ntụle nke Virgin maka San Augustín, Seville - ọmarịcha akwụkwọ nka.

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Ihe osise narị afọ nke 17 na-akpọ Study forThe Assumption of the Virginfor San Augustín, Seville mere site na spanish onye na-ese ihe Juan de Valdés Leal. The 340 year old work of art measures the size of Framed: 52,3 x 39 cm (20 9/16 x 15 3/8 in); Unframed: 40,3 x 26,6 cm (15 7/8 x 10 1/2 in). Mmanụ na osisi was applied by the European artist as the medium of the masterpiece. Nowadays, this piece of art can be viewed in in the Ụlọ ihe ngosi nka nke Cleveland nchịkọta dijitalụ na Cleveland, Ohio, United States nke America. Site n'ikike nke - Velọ ihe ngosi nka nke Cleveland (ọha na eze). The creditline of the artpiece is: Leonard C. Hanna, Jr. Fund. On top of that, alignment is portrait and has a ratio of 2 : 3, meaning that the length is 33% shorter than the width. Juan de Valdés Leal was a male painter of Spanish nationality, whose artistic style can primarily be assigned to Baroque. The Baroque painter lived for a total of 68 years - born in the year 1622 ma nwụọ n’afọ 1690.

Nkọwa ihe osise site na ụlọ ngosi nka (© nwebiisinka - nke Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

This painting is a sketch for a large altarpiece. The rough, flickering surface, the unusually sharp contrast of hot and cool hues, and the compression of space all characterize the artist’s intense spirituality and unique technique. While often held apart from the sweetness and grace of Murillo (also represented in the collection), his contemporary in Seville, the two artists worked closely together on commissions and often presented their work side by side, speaking to the stylistic diversity and religious complexity preferred by patrons in Seville during the late 1600s.

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The product dropdown list ofers you the chance to select the material and size of your choice. The following options are available for individualization:

• Mbipụta kwaaji: The canvas direct print is a printed canvas mounted on a wooden stretcher. Canvas Prints have the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. That is why, canvas prints are suitable for any type of wall.
• Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are metal prints with an outstanding effect of depth. The Direct Print on Aluminum Dibond is the perfect start to the sophisticated world of fine art replicas on aluminum. Colors are luminous in the highest definition, the details are crisp, and the print has a a matte appearance you can literally feel.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The poster print is a printed sheet of canvas with a slightly rough structure on the surface, which resembles the original version of the masterpiece. It is particularly designed for putting your fine art print in a personal frame. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the artwork, which facilitates the framing with your custom frame.
• Mbipụta enyo acrylic: An print on acrylic glass, which is often described as a plexiglass print, will convert the original into wonderful home decoration. In addition, it makes a viable alternative to aluminium or canvas prints.

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Ozi dị mkpa: We try everythig possible to depict the art products as clearly as it is possible and to illustrate them visually in our shop. Nonetheless, the tone of the printing material and the printing may diverge marginally from the presentation on your device's monitor. Depending on the screen settings and the condition of the surface, color pigments might not be printed as exactly as the digital version on this website. Since our fine art prints are printed and processed by hand, there may also be minor differences in the motif's exact position and the size.

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