Nicolas de Largillierre, 1702 - Eserese nke otu onye na-ahụ maka Parisi. Iberibe ihe osise mkpokọta nke Office nke Obodo Paris 1702. - ọmarịcha nka

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In the dropdown lists next to the product you can choose your prefered material and size. You can choose among the following product customization options:

  • Mpempe akwụkwọ (ihe kwaaji): Our poster is a printed flat canvas paper with a slightly rough surface structure. A poster is best used for framing the art print with the help of a personal frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2 - 6cm round about the painting in order to facilitate the framing with a custom frame.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often named a UV print on plexiglass, will convert your favorite artwork into wonderful décor. Your work of art will be made with modern UV direct printing technology.
  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true effect of depth, which creates a contemporary look with a surface , which is non-reflective. The bright parts of the original artwork shimmer with a silky gloss, however without any glare.
  • Kwaaji: The UV printed canvas material applied on a wooden stretcher frame. Also, a canvas creates a cosy, positive impression. A canvas print of your favorite artwork will allow you to transform your art print into a large size artpiece. How can I hang a canvas on my wall? Canvas Prints have the advantage of being low in weight, meaning that it is easy to hang up the Canvas print without the help of any wall-mounts. Hence, canvas prints are suitable for any kind of wall.

Nkwupụta iwu: We try everythig possible in order to describe our art products with as many details as possible and to demonstrate them visually on the various product detail pages. At the same time, the pigments of the print materials and the print result may diverge to a certain extent from the representation on the device's screen. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. Considering that our art reproductions are processed and printed by hand, there may as well be slight discrepancies in the size and exact position of the motif.

(© - nke Musée Carnavalet Paris dere - www.carnavalet.paris.fr)

Painted collective portrait in 1702 for the Office of the Hotel de Ville represented: the provost Boucher d'Orsay, the four aldermen Santeul, Guillebon, Boutet and Desnotz, the Public Prosecutor, the Registrar and the recipient accompanied by Justice and Abundance. In the background included a tapestry depicting the arrival of the Duke of Anjou to the Spanish crown with allegories suitable for sujet.Pour clutter the halls of City Hall, group portraits were regularly removed or given to the descendants of former provosts they represented. Thus the table Largillierre was delivered in 1768 to Madame de Courtabœuf, daughter of Boucher d'Orsay, who donated the Minimes in the Place Royale. In 1790, he was the filing of Petits-Augustins where it was inventoried by Alexandre Lenoir. It was then sold; it is unclear when it was cut. The Carnavalet museum has two other fragments of the same table (P. 207 and P. 209)

Interesting facts about the painting created by the Baroque artist Nicolas de Largillierre

Portrait of a Parisian alderman. Fragment of collective portrait of the Office of the City of Paris 1702. was painted by Nicolas de Largillierre in 1702. Ihe okike izizi nwere nha: Ogologo: 79,5 cm, obosara: 64 cm. Enwere ike ilele ọrụ nka na n'ime Ụlọ ihe nkiri Carnavalet Paris nchịkọta nka dijitalụ, nke dị na Paris, France. Site n'ikike nke: Ụlọ ihe nkiri Carnavalet Paris (nwere ikike: ngalaba ọha): . Ndozi n'ime Eserese format with a ratio of 1 : 1.2, which means that the length is 20% shorter than the width. Nicolas de Largillierre was a painter, whose artistic style can mainly be assigned to Baroque. The European painter lived for a total of 90 afọ, amuru na afo 1656 ma nwụọ na 1746.

Ozi ndabere gbasara nka pụrụ iche

Aha ọrụ nka: "Portrait of a Parisian alderman. Fragment of collective portrait of the Office of the City of Paris 1702."
Nhazi nka nka: sere
Otu sara mbara: nka ochie
Narị afọ nka: 18th narị afọ
Afọ nka: 1702
Afọ nka: 310 afọ
Nha nke ihe osise izizi: Ogologo: 79,5 cm, obosara: 64 cm
Ụlọ ihe ngosi nka / mkpokọta: Ụlọ ihe nkiri Carnavalet Paris
Ebe ngosi nka: Paris, France
Dị n'okpuru: www.carnavalet.paris.fr
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe nkiri Carnavalet Paris

Ngwaahịa a

Nkewa ngwaahịa: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Produzọ mmepụta: mbipụta dijitalụ
Mmalite nke ngwaahịa a: Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Ojiji ngwaahịa: ime ụlọ, ihe ndozi ụlọ
Ndepụta: usoro eserese
Oke akụkụ onyonyo: 1: 1.2 - ogologo: obosara
Pụtara nha onyonyo a: ogologo bụ 20% mkpụmkpụ karịa obosara
Akwa ngwaahịa dị: mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Ụdị nha ebipụta aluminom: 50x60cm - 20x24", 100x120cm - 39x47"
ụba: na-enweghị etiti

Ose okwu

Aha onye nka: Nicolas de Largillierre
Obodo onye nka: French
Ọrụ: onye na-ese ihe
Mba onye si: France
Nhazi nke onye nka: nna ukwu ochie
styles: Baroque
Oge ndu: 90 afọ
Afọ amụrụ: 1656
Afọ nwụrụ: 1746

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