Nicolas de Largillierre, 1727 - André François Alloys Theys of Herculais (1692-1779) - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Họrọ ihe ngwaahịa gị
Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche & nha. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often named a print on plexiglass, will convert your favorite original artwork into stunning décor. The great benefit of a plexiglass fine art print is that contrasts and smaller image details will be identifiable because of the delicate tonal gradation. The plexiglass protects your chosen art replica against sunlight and external influences for many years to come.
- Mbipụta kanvas: The canvas print is a printed canvas stretched on a wood frame. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up the Canvas print without the support of extra wall-mounts. Hence, a canvas print is suited for any type of wall.
- Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond material with a true depth. The white and bright components of the original artwork shine with a silky gloss, however without any glare. The colors are luminous and bright, fine details are crisp and clear. This direct UV print on aluminium is one of the most demanded entry-level products and is an extremely contemporary way to showcase art prints, as it puts all of the viewer’s attention on the image.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a UV printed cotton canvas with a slight surface structure. Please note, that depending on the size of the poster we add a white margin of around 2-6cm around the print motif to facilitate the framing.
Ozi dị mkpa: We try our utmost to depict our products as clearly as possible and to showcase them visually in our shop. Still, the colors of the print products, as well as the printing may vary slightly from the image on your device's monitor. Depending on the screen settings and the quality of the surface, colors might not be printed 100% realistically. In view of the fact that our are printed and processed manually, there may also be minor deviations in the motif's exact position and the size.
Ozi ngwaahịa nka
Ọrụ nka akpọrọ André François Alloys Theys of Herculais (1692-1779) e sere ya Nicolas de Largillierre. The work of art was made with the exact size: 54 1/4 x 41 1/2 na (137,8 x 105,4 cm) ma jiri ya rụọ ya Usoro oil on canvas. What is more, this artpiece belongs to the The Metropolitan Museum of Art's digital collection, which is located in New York City, New York, Njikota Obodo Amerika. Site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye nke Mr. na Oriakụ Charles Wrightsman, 1973 (ngalaba ọha). Ebe kredit nke ọrụ nka: Onyinye nke Mr. na Oriakụ Charles Wrightsman, 1973. N'elu nke ahụ, nhazi a na-abanye Eserese format ma nwee oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Nicolas de Largillierre was a painter from France, whose art style can primarily be assigned to Baroque. The European painter lived for 90 afọ, mụrụ na 1656 wee nwụọ na 1746.
Nkọwa gbasara nka nka pụrụ iche
Aha nke eserese ahụ: | "André François Alloys Theys of Herculais (1692-1779)" |
Nhazi nka: | sere |
Okwu nche anwụ: | nka ochie |
Nhazi oge: | 18th narị afọ |
Emepụtara na: | 1727 |
Ogologo afọ nka nka: | karịa afọ 290 |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Akụkụ ihe osise izizi: | 54 1/4 x 41 1/2 na (137,8 x 105,4 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
website: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye nke Mr. na Oriakụ Charles Wrightsman, 1973 |
Ebe kredit nke ọrụ nka: | Onyinye nke Mr. na Oriakụ Charles Wrightsman, 1973 |
Nkọwa akụkọ ahaziri ahazi
Ụdị ngwaahịa: | ọmarịcha nka |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Production: | arụpụtara na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | ihe ndozi mgbidi, ihe ndozi ụlọ |
Nhazi: | nhazi ihe osise |
Oke akụkụ onyonyo: | ogologo: obosara - 3: 4 |
Ntụgharị asụsụ oke onyonyo: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ dị: | ígwè obibi akwụkwọ (aluminium dibond), akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mbipụta nke aluminom (ihe aluminom): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mmeputa nka nka: | na-enweghị etiti |
Banyere omenka
Aha onye nka: | Nicolas de Largillierre |
Obodo onye nka: | French |
Ọrụ: | onye na-ese ihe |
Obodo onye nka: | France |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Afọ ọnwụ: | 90 afọ |
Amụrụ n'afọ: | 1656 |
Afọ ọnwụ: | 1746 |
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