Nicolas Lancret, 1740 - Ohu ahụ ziri ezi - mbipụta nka mara mma

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In 1740 Nicolas Lancret na-ese ihe nka a na-akpọ "The Servant Justified". Ihe gafere 280 ụdị mbụ nke afọ nwere nha - 11 x 14 n'ime (27,9 x 35,6 cm) and was made on the medium oil on copper. This artpiece is included in the The Metropolitan Museum of Art's collection in New York City, New York, United States of America. With courtesy of - Ụlọ ihe ngosi nka nke Metropolitan, New York, Ịzụta, Walter na Leonore Annenberg na Onyinye Annenberg Foundation, 2004 (nwere ikike - ngalaba ọha). : Ịzụta, Walter na Leonore Annenberg na Onyinye Foundation Annenberg, 2004. Na mgbakwunye na nke ahụ, nhazi nke mmepụta dijitalụ dị n'ime odida obodo format ma nwee oke akụkụ nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Nicolas Lancret was a painter, whose style was primarily Baroque. The artist was born in 1690 na Paris, Ile-de-France, France na nwụrụ anwụ na afọ nke 53 n'afọ 1743.

Supplemental information from The Metropolitan Museum of Art website (© - by The Metropolitan Museum of Art - www.metmuseum.org)

According to La Fontaine's popular tale, the master seduced a serving girl and was observed by a neighbor, who is shown here at her window at the upper right. He therefore invited his wife into the garden to engage in dalliance. Later, when the neighbor reported on his behavior, his wife observed that it was she whom her friend observed in the garden. "[Then] excuse me, and do not send [the girl] away," responded the neighbor, to which the wife replied, "Why send her away? She serves me well."

Nkọwa nka ahaziri

Aha nka nka: "The Servant Justified"
Nhazi nka: sere
Category: nka ochie
Narị afọ nka: 18th narị afọ
Emepụtara n'afọ: 1740
Afọ nka: gbara afọ 280
Usoro izizi: mmanụ na ọla kọpa
Nha ihe osise izizi: 11 x 14 n'ime (27,9 x 35,6 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị nke ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ụdị ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Ịzụta, Walter na Leonore Annenberg na Onyinye Annenberg Foundation, 2004
Ebe E Si Nweta: Ịzụta, Walter na Leonore Annenberg na Onyinye Foundation Annenberg, 2004

Data omenka ahaziri ahazi

Ihe nkiri: Nicolas Lancret
A makwaara dịka: Lancré, lancret nicolas, Nicolas Laucret, Lankret, Nicholas Lancret, Laucret, Lancret Nicolas, Lancraft Nicolas, Nicolas Lencret, Lancaret, Nicolas Lancret, Lan Cray, Lancraft, Lanckretz, Lankre Nikola, Jean Lancret, Lancray, Landcriefs Nicolas, J. Lancret, Nicola Lenaret, Laneret, nikolaus lancret, Lancrets, Lancrete, Lencret, Lancaret Nicolas, Landcriefs, Lancrey, Landcriess Nicolas, Lan Cray Nicolas, Laneret Nicolas, niclas lancret, N. Lancret, Lancret, Lancrett Nicolas, Lancret Nikolaus, Lancrett, Lang Cre, nicolaus lancret, Lancrete Nicolas, N/ Lancret, Lancret Nicholas, niel. lancret, nicol. lancret, Lang Cre Nicolas, Lancrer, Landcriess, Langeray
Gender: nwoke
Obodo onye nka: French
Ọrụ: onye na-ese ihe
Obodo onye nka: France
Nkewa onye nka: nna ukwu ochie
styles: Baroque
Nwụrụ na afọ nke: 53 afọ
A mụrụ: 1690
Obodo amụrụ: Paris, Ile-de-France, France
Nwụrụ n'afọ: 1743
Obodo ọnwụ: Paris, Ile-de-France, France

Họrọ ihe ị ga-achọ idobe n'ụlọ gị

Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke nhọrọ gị. Nhọrọ ndị a dị maka n'otu n'otu:

  • Mbipụta kanvas: The canvas direct print is a printed cotton canvas mounted on a wooden stretcher. A canvas generates the sculptural look of three-dimensionality. Furthermore, a canvas makes a familiar and appealing impression. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang your Canvas print without any wall-mounts. A canvas print is suited for all types of walls.
  • Aluminom dibond (ọkpụkpụ ọla): This is a metal print made on aluminium dibond material with an outstanding depth. A direct Aluminium Dibond Print is your perfect start to reproductions with aluminum. The colors of the print are luminous and vivid, details appear clear and crisp, and you can really feel a matte appearance of the fine art print.
  • Akwụkwọ mmado na ihe kwaaji: Our poster print is a UV printed canvas paper with a slightly rough finish on the surface. A print poster is suited for putting your art print in a special frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the work of art in order to facilitate the framing.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The acrylic glass print, often referenced as a an art print on plexiglass, will convert the original work of art into brilliant home décor and forms a great alternative to canvas and dibond prints. Your own copy of the artwork is being printed with the help of state-of-the-art UV direct print machines.

Banyere ihe

Nkewa bipụta: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Production: emere na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: mgbidi gallery, mgbidi ịchọ mma
Ndepụta: usoro odida obodo
Oke akụkụ onyonyo: ogologo: obosara 4:3
Pụtara nha akụkụ onyonyo: ogologo bụ 33% ogologo karịa obosara
Akwa mmeputakwa dị: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko)
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Igwe onyonyo: agunyeghi

Nkwupụta iwu: We try everything to depict the products as closely as we can and to exhibit them visually. Nonetheless, the pigments of the print materials, as well as the printing may diverge to a certain extent from the presentation on the screen. Depending on the screen settings and the quality of the surface, not all color pigments are printed 100% realistically. Since all the art prints are printed and processed manually, there may also be minor deviations in the motif's exact position and the size.

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