David Teniers nke Nta, 1650 - Alchemist - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
General information from Mauritshuis website (© - Maurithuis - www.mauritshuis.nl)
Prince William IV, exhibited at Het Loo Palace, Apeldoorn; by inheritance to Prince William V, The Hague, 1754-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822
Nkọwapụta nka
Aha nka: | "Onye Alchemist" |
nhazi ọkwa: | sere |
Otu izugbe: | nka ochie |
oge: | 17th narị afọ |
Afọ nka: | 1650 |
Afọ nka: | ihe dị ka afọ 370 |
Ihe osise izizi: | mmanụ na panel |
Akụkụ nke ihe osise izizi: | elu: 27,4 cm obosara: 37,4 cm |
Ederede nka nka izizi: | signed: D. Teniers: Fec |
Ụlọ ihe ngosi nka / ebe: | Maurithuis |
Ebe ebe ngosi nka: | Hague, South Holland, Netherlands |
website: | Maurithuis |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Maurithuis, Hague |
Ebe E Si Nweta: | Prince William IV, exhibited at Het Loo Palace, Apeldoorn; by inheritance to Prince William V, The Hague, 1754-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822 |
Tebụl nkọwa omenkà
Aha onye nka: | David Teniers nke Nta |
okike nke onye nka: | nwoke |
Nationality: | Onye Belgium |
Ọrụ: | onye na-ese ihe |
Mba onye si: | Belgium |
Otu nka: | nna ukwu ochie |
styles: | Baroque |
Akwụsị: | 80 afọ |
Afọ ọmụmụ: | 1610 |
Amụrụ na (ebe): | Antwerp |
Afọ nwụrụ: | 1690 |
Obodo ọnwụ: | Brussels |
Nkọwapụta ngwaahịa
Nkewa bipụta: | nka nka |
Mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Ihe ngosi: | emere na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Ngwaahịa were: | nka mgbidi, ihe ndozi ụlọ |
Ndepụta: | nhazi odida obodo |
Ụdị anya: | 4: 3 |
Ihe: | ogologo bụ 33% ogologo karịa obosara |
Ihe mmeputakwa dị: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nha ebipụta aluminium dibond: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
ụba: | biko buru n'uche na edeghi nnomi nka nka |
Họrọ ihe kacha amasị gị
The product dropdown menu gives you the chance to choose the material and sizeaccording to your personal preferences. Choose among the following product options now to match your preferences in size and material:
- Mpempe akwụkwọ ederede (akwa akwa akwa): The poster print is a UV printed sheet of canvas with a slightly rough structure on the surface. It is best qualified for framing the art copy in a personal frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm around the painting, which facilitates the framing with your custom frame.
- Metal (aluminium debond mbipụta): These are metal prints on aluminium dibond with an outstanding effect of depth. A direct Aluminium Dibond Print is the excellent introduction to the sophisticated world of fine art reproductions on aluminum.
- Mbipụta enyo acrylic: An acrylic glass print, often referred to as a an art print on plexiglass, makes the original into beautiful décor. The great advantage of a plexiglass print is that contrasts and painting details will be identifiable because of the subtle tonal gradation of the picture.
- Mbipụta kanvas: A UV printed canvas mounted on a wood stretcher frame. A canvas print makes a soft and comfortable atmosphere. How can I hang a canvas print on my wall? The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang the Canvas print without extra wall-mounts. Hence, a canvas print is suited for all types of walls.
Nkọwapụta ngwaahịa nka izugbe
Nke a gafee 370 masterpiece dị afọ Onye na-ekiri ndi ozo onye omenkà mere ya David Teniers nke Nta. The original had the following size: height: 27,4 cm width: 37,4 cm | height: 10,8 in width: 14,7 in. Oil on panel was used by the European artist as the technique for the work of art. It was inscribed with the information: signed: D. Teniers: Fec. N'oge a, ọrụ nka bụ akụkụ nke Ndị Maurithuis mkpokọta nka, nke dị na Hague, South Holland, Netherlands. Site n'ikike nke - Maurithuis, Hague (ikikere: ngalaba ọha). Furthermore, the artwork has the following creditline: Prince William IV, exhibited at Het Loo Palace, Apeldoorn; by inheritance to Prince William V, The Hague, 1754-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. Besides, the alignment of the digital reproduction is in landscape format and has a ratio of 4 : 3, which implies that ogologo bụ 33% ogologo karịa obosara. The painter David Teniers the Younger was an artist, whose style was mainly Baroque. The Baroque artist lived for 80 afọ - a mụrụ n'afọ 1610 na Antwerp wee nwụọ na 1690.
Ihe dị mkpa: We try all that we can to depict our art products as clearly as possible and to display them visually on the various product detail pages. Please keep in mind that the tone of the printing material, as well as the print result can differ marginally from the image on the device's monitor. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed as exactly as the digital version on this website. Since all art prints are printed and processed manually, there might also be minor variations in the size and exact position of the motif.
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