Josef Anton Mesmer, 1778 - Saint Sebastian na ụmụ nwanyị - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
a 18th narị afọ nka nwere aha Saint Sebastian and the women bụ onye omenkà kere ya Josef Anton Mesmer in 1778. Nke mbụ na-atụle akụkụ ndị a: 34,5 x 18,3 cm - akụkụ etiti: 46,5 x 31 x 5 cm. Oil on canvas was applied by the artist as the medium of the masterpiece. Nowadays, this piece of art is in the the collection of Belvedere. We are happy to state that this public domain work of art is being supplied with courtesy of © Belvedere, Vienna, nọmba ngwa ahịa: 3220. : purchase from Commercial Councilor Rudolf Pollitzer, Vienna in 1932. Further, the alignment is portrait and has an image ratio of 1 : 2, which implies that the length is 50% shorter than the width. The painter Josef Anton Mesmer was an artist, whose art style can primarily be classified as Baroque. The Baroque painter lived for a total of 80 afọ and was born in 1747 in Hohentengen or Saulgau and deceased in 1827 in Saulgau.
Nhọrọ ihe
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:
- Ihe odide acrylic glass: A glossy acrylic glass print, often labelled as a UV print on plexiglass, will convert the original work of art into brilliant home decoration. Besides, it makes a viable alternative option to dibond or canvas fine art prints. The great advantage of an acrylic glass art print is that contrasts and minor details become identifiable thanks to the fine tonal gradation of the picture.
- Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with a true depth, creating a modern impression throuch a surface , which is not reflective. A direct Direct Print on Aluminum Dibond is the excellent start to art replicas produced with aluminum. For your Aluminium Dibond option, we print the chosen work of art onto the surface of the white-primed aluminum. The bright sections of the original artpiece shimmer with a silk gloss but without any glare. Colors are luminous, the fine details of the print appear crisp and clear, and the print has a a matte look that you can literally feel.
- Mbipụta kwaaji: The UV printed canvas material mounted on a wood stretcher frame. Further, a canvas creates a homelike and positive atmosphere. Hanging a canvas print: A canvas print has the advantage of being relatively low in weight, meaning that it is easy to hang up the Canvas print without additional wall-mounts. Canvas prints are suitable for any kind of wall.
- Akwụkwọ mmado na ihe kwaaji: The poster print is a printed canvas paper with a nice surface finish. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the artwork, which facilitates the framing with your custom frame.
Onye na-ese ihe
aha: | Josef Anton Mesmer |
Ọrụ: | onye na-ese ihe |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nka: | Baroque |
Ndụ: | 80 afọ |
Afọ ọmụmụ: | 1747 |
Ebe amụrụ onye: | Hohentengen or Saulgau |
Nwuru: | 1827 |
Ebe ọnwụ: | Saulgau |
Ozi nka ahaziri
Aha nka: | "Saint Sebastian and the women" |
Nhazi nka nka: | sere |
Okwu mkpokọta: | nka ochie |
Nhazi oge: | 18th narị afọ |
Emepụtara na: | 1778 |
Afọ nka: | ihe karịrị afọ 240 |
Agba na: | mmanụ na kwaaji |
Nha nke ihe nka izizi: | 34,5 x 18,3 cm - akụkụ etiti: 46,5 x 31 x 5 cm |
Ụlọ ihe ngosi nka / mkpokọta: | Belvedere |
Ebe ngosi nka: | Vienna, Austria |
Weebụsaịtị ihe ngosi nka: | Belvedere |
License: | ngalaba ọha |
Site n'aka: | © Belvedere, Vienna, nọmba ngwa ahịa: 3220 |
Ebe E Si Nweta: | purchase from Commercial Councilor Rudolf Pollitzer, Vienna in 1932 |
Ozi ndabere edemede
Nkewa edemede: | mmepụta nka |
Mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Mmalite nke ngwaahịa a: | German mmepụta |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | ime ụlọ, nka mgbidi |
Nhazi: | nhazi ihe osise |
Njikwa oyiyi: | (ogologo: obosara) 1: 2 |
Oke onyonyo pụtara: | ogologo bụ 50% mkpụmkpụ karịa obosara |
Akụrụngwa dị: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ. |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 20x40cm - 8x16 ", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47", 80x160cm - 31x63", 90-x180cm |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47" |
Mbipụta aluminom (ihe alumini debond ihe): | 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47" |
ụba: | enweghị etiti |
Ihe dị mkpa: We do whatever we can in order to depict our products as closely as possible and to display them visually on the different product detail pages. Still, the pigments of the printing material, as well as the imprint might diverge slightly from the representation on your device's monitor. Depending on your settings of your screen and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version shown here. Since all art prints are processed and printed by hand, there might as well be slight differences in the motif's size and exact position.
© Nwebiisinka nke - Artprinta (www.artprinta.com)