Martin Johann Schmidt, 1797 - Christ on the Cross - ọmarịcha nka

Ozi nkowa mgbakwunye from Belvedere (© - nke Belvedere - www.belvedere.at)

This "Crucifixion" was long considered draft 1775 datierendes side altar in the Sanctuary of Maria Taferl. In fact, however, a close connection with a 1797 dated, very similar in composition paintings of the Lower Austrian Provincial Museum. Feuchtmüller classifies the image of the Belvedere in his monograph for a Kremser Schmidt as school repetition. [Georg Lechner, 6/2009]

Ngwaahịa nka

The nka ochie ihe nka mere site na Martin Johann Schmidt n’afọ 1797. The 220 years old masterpiece has the size: 54 x 38,5 cm - akụkụ etiti: 66 x 50 x 5,5 cm. Mmanụ na kwaaji was applied by the painter as the medium of the piece of art. Moveover, this artpiece belongs to the collection of Belvedere, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. The work of art, which is part of the ngalaba ọha a na-enye ya site n'ikike nke © Belvedere, Vienna, nọmba ngwa ahịa: 4164. Ihe kredit nke artpiece bụ: nyefee site na Kunsthistorisches Museum, Vienna. - 1948 ngwaahịa na 1922. Na mgbakwunye na nke a, nhazi nke mmepụta dijitalụ dị na eserese format na nwere akụkụ ruru nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. The painter, etcher Martin Johann Schmidt was a European artist, whose style was mainly Baroque. The Baroque artist was born in the year 1718 in Grafenwörth, Lower Austria and deceased at the age of 83 in the year 1801.

Nhọrọ ihe ngwaahịa dị

For every product we offer a range of different sizes & materials. Choose your favorite material and size between the subsequent choices:

• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often described as a an art print on plexiglass, will turn the original into wall décor and is a great alternative to canvas and aluminidum dibond fine art prints. The artwork is made with state-of-the-art UV print machines. With a glossy acrylic glass fine art print contrasts and granular image details will be more exposed with the help of the subtle gradation. Our real glass coating protects your chosen art replica against light and heat for between 4 and 6 decades.
• Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with an impressive effect of depth - for a modern impression and a non-reflective surface. For your Direct Aluminium Dibond print, we print the work of art onto the aluminium composite surface. The bright & white sections of the original artpiece shine with a silk gloss but without glare.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a UV printed canvas paper with a granular surface texture, which reminds the actual work of art. It is appropriate for placing your fine art print with the help of a customized frame. Please bear in mind, that depending on the size of the poster we add a white margin of around 2-6cm round about the artwork, which facilitates the framing with a custom frame.
• Kwaaji: A UV printed canvas stretched on a wood stretcher frame. Canvas prints are relatively low in weight. This means, it is quite simple to hang up the Canvas print without additional wall-mounts. Because of thata canvas print is suited for all types of walls.

Tebụl nyocha nke onye na-ese ihe

Nkọwa ihe nka

Ngwaahịa a

Ihe dị mkpa: We try whatever we can to describe our products as precisely as possible and to showcase them visually. Nevertheless, the pigments of the print materials and the printing may differ slightly from the presentation on your monitor. Depending on the screen settings and the condition of the surface, color pigments might not be printed as realisitcally as the digital version depicted here. Since all fine art prints are printed and processed manually, there may as well be minor variations in the exact position and the size of the motif.

© nwebiisinka site na - Artprinta.com (Artprinta)