Edgar Degas, 1887 - The Convalescent - mbipụta nka mara mma

39,99 €

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The artwork titled "The Convalescent" as art copy

Nke a na narị afọ nke 19 na-ese site na French onye na-ese ihe Edgar Degas. The artpiece was painted with the size 65,7 × 49,8 cm (25 7/8 × 19 5/8 na) ma were ihe osise ese Usoro mmanụ na kwaaji. Agụnyere ihe osise a na Ụlọ ihe ngosi nka nke J. Paul Getty nchịkọta nka dijitalụ. Nke nkà nke oge a public domain work of art is provided with courtesy of The J. Paul Getty Museum.The creditline of the artpiece is the following: . On top of that, alignment is Eserese ma nwee oke onyonyo nke 3: 4, nke na-egosi nke ahụ ogologo bụ 25% mkpụmkpụ karịa obosara. Edgar Degas was a male photographer, poet, engraver, painter, sculptor, whose art style was mainly Impressionism. The Impressionist painter was born in the year 1834 ma nwụọ mgbe ọ dị afọ 83 n’afọ 1917 na Paris, Ile-de-France, France.

Họrọ nhọrọ ihe ebipụta nka

Na menu ndọpụta ngwaahịa ị nwere ike họrọ nha na ihe nke gị. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

  • Ihe odide acrylic glass: A glossy acrylic glass print, often referred to as a an art print on plexiglass, will change your favorite original into beautiful décor and forms a viable alternative to canvas or aluminium dibond art prints. The great benefit of a plexiglass print is that contrasts plus artwork details will be more exposed due to the very subtle gradation.
  • Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are metal prints with a true effect of depth, which creates a contemporary impression by having a surface , which is not reflective. A direct Direct Print on Aluminum Dibond is the perfect introduction to fine art prints on alu. Colors are bright and luminous, details of the print are crisp and clear. The print on aluminium is the most popular entry-level product and is a modern way to showcase fine art prints, as it draws focus on the image.
  • Akwụkwọ mmado ebipụtara (ihe kwaaji): The Artprinta poster print is a printed sheet of flat canvas with a nice finish on the surface. Please keep in mind, that depending on the size of the poster we add a white margin 2 - 6cm around the painting, which facilitates the framing.
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Important note: We try all that we can to depict the products as clearly as we can and to display them visually on the different product detail pages. At the same time, the tone of the print products, as well as the print result might differ somehwat from the image on the monitor. Depending on your screen settings and the condition of the surface, colors can unfortunately not be printed as realistically as the digital version shown here. Since our are processed and printed by hand, there might also be slight variations in the size and exact position of the motif.

Nkọwa ngwaahịa

Bipụta ngwaahịa: ezi nka mmeputakwa
Mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite nke ngwaahịa a: German mere
Stockdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: foto mgbidi, mma mgbidi
Nhazi: usoro eserese
Oke akụkụ onyonyo: ogologo ruo obosara 3: 4
Nkọwa nha onyonyo: ogologo bụ 25% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ site na: Mpempe iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kwaaji.
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhọrọ Dibond (ihe alumnium) nhọrọ: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi mbipụta nka: adịghị

Ozi ndabere ihe nka

Aha nka nka: "The Convalescent"
nhazi ọkwa: sere
Otu sara mbara: nkà nke oge a
oge: 19th narị afọ
Afọ nka: 1887
Ogologo afọ nka nka: karịa afọ 130
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Akụkụ izizi (ọrụ nka): 65,7 × 49,8 cm (25 7/8 × 19 5/8 na)
Ụlọ ihe ngosi nka / ebe: Ụlọ ihe ngosi nka nke J. Paul Getty
Ebe ngosi nka: Los Angeles, California, Njikota Obodo Amerika
E Nwere na: Ụlọ ihe ngosi nka nke J. Paul Getty
Ụdị ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke J. Paul Getty

Tebụl nchịkọta ihe nkiri

aha: Edgar Degas
A makwaara dịka: degas e., Degas Hilaire-Germain-Edgar, degas edgar hillaire germaine, Hilaire-Germain-Edgar Degas, Degas, Degas Hilaire Germain, De Gas Hilaire Germain Edgar, h.e.g. degas, Degas Edgar, Gas Hilaire Germain Edgar De, Dega Edgar, hilaire germain edgar degas, degas Hillaire germaine edgar, degas jilaire germain edgar degas, degas hilaire germaine edgar, De Gas Hilaire-Germain-Edgar, Te-chia, Degas H. G. E., Degas Edgar Germain Hilaire, דגה אדגר, Hilarie Germain Edgar Degas, Degas Hilaire Germain Edgar Degas, degas h.g.e., hilaire degas, Jilaira Germain Edgar Degas, edgar hilaire germain degas, Degas Hilaire Germain Edgar, h.g.e. degas, Degas Edgar Hilaire Germain, degas hilaire german edgar, Degas E., degas edgar, e. degas, degas h.g.e., Edgar Germain Hilaire Degas, Edgar Degas, דגה אדגאר
Gender: nwoke
Obodo onye nka: French
Ọrụ: photographer, painter, poet, sculptor, engraver
Country: France
Nhazi nke onye nka: omenkà nke oge a
Ụdị nke onye na-ese ihe: Mmetụta
Nwụrụ na afọ nke: 83 afọ
Amụrụ n'afọ: 1834
Nwụrụ n'afọ: 1917
Nwụrụ na (ebe): Paris, Ile-de-France, France

© Nwebiisinka nke | Artprinta.com (Artprinta)

Additional description from The J. Paul Getty Museum (© Nwebiisinka - nke J. Paul Getty Museum - Ụlọ ihe ngosi nka nke J. Paul Getty)

Although the identity of the sitter in this portrait is a mystery, Edgar Degas conveyed her character by capturing the overwhelming sorrow to which she has succumbed. Posed with her head tilted and leaning against the back of her left hand, she appears weary. Her languorous expression and red-rimmed eyes, together with the limp right arm hanging at her side, suggest a physical or emotional malady, though nothing in the painting confirms the cause of her affliction. Hidden beneath a brown robe and full white gown, her pose is ambiguous; it is unclear if she sits, stands, or leans. The Convalescent attests to Degas's interest in the world of women--their physical characteristics and surroundings, and their complex emotional and psychological conditions.

Unlike traditional nineteenth-century portraits, which were commissioned and usually left the artist's studio upon completion, this depiction of an unidentified woman remained in Degas's studio for at least fifteen years. The painting is unconventional in other ways as well; The Convalescent is more psychologically suggestive and spatially ambiguous than typical portraits of the time, such as Franz Xaver Winterhalter's official portrait, Leonilla, Princess of Sayn-Wittgenstein-Sayn. Degas's thick, unblended brushstrokes and flattened space bring the figure forward, conveying informality and intimacy.

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