Carlo Maratti, 1701 - Eserese nke Francesca Gommi Maratti - ọmarịcha nka

Nkọwa nka mbụ sitere na ụlọ ngosi nka (© Nwebiisinka - site na Cleveland Museum of Art - www.clevelandart.org)

In 1700 Carlo Maratti’s wife died, permitting him to marry his longtime mistress, Francesca Gommi, who began modeling for the artist in the 1670s and was the mother of his only child, Faustina. This painting was presumably painted shortly after the marriage as an homage from the artist to his new wife. To introduce an allegorical element into the composition, Maratti included a painting within a painting—in this case a drawing depicting Venus forging the love-darts of her adolescent son Cupid, suggesting that love will conquer all.

Nkọwa edemede

In 1701 na Italian painter Carlo Maratti made this work of art. The artwork had the following exact size: N'ozuzu: 98,5 x 74,5 cm (38 3/4 x 29 5/16 na). Mmanụ na kwaaji was applied by the European artist as the technique for the artwork. This artwork is included in the digital art collection of The Cleveland Museum of Art, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of: The Cleveland Museum of Art (public domain). Creditline of the artwork: Maazị na Oriakụ William H. Marlatt Fund. Na mgbakwunye na nke a, nhazi ahụ dị na eserese format na nwere akụkụ ruru nke 3: 4, which implies that the length is 25% shorter than the width. Carlo Maratti was a painter from Italy, whose art style can be attributed primarily to Baroque. The artist lived for a total of 88 afọ, born in the year 1625 in Camerano, Ancona province, Marches, Italy and died in 1713 in Rome, Roma province, Lazio, Italy.

Ihe di

We offer a range of different sizes and materials for every product. You can choose your preferred size and material among the following options:

• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster is a printed canvas paper with a slightly rough texture on the surface, that reminds the actual version of the work of art. A poster is optimally suited for putting the art copy in a custom-made frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2 - 6cm around the print motif to facilitate the framing with a custom frame.
• Kwaaji: A printed canvas, which shall not be confused with an artwork painted on a canvas, is a digital image printed from a UV direct printer. A canvas print of your favorite masterpiece will give you the unique opportunity of transforming your art print into a large size artwork as you know from art galleries. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up your Canvas print without additional wall-mounts. Canvas prints are suited for any type of wall.
• Mbipụta nke aluminom: This is a metal print made on aluminium dibond with an impressive depth - for a modern look and a non-reflective surface structure. A direct Aluminium Dibond Print is the excellent start to fine art prints with aluminum. The UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely contemporary way to showcase artworks, as it puts 100% of the viewer’s focus on the artwork.
• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often denoted as a UV print on plexiglass, transforms your favorite artwork into décor. In addition, it offers a distinct alternative option to canvas or aluminium dibond art prints. The great upside of a plexiglass fine art print is that contrasts and smaller color details become identifiable thanks to the precise tonal gradation of the picture. Our plexiglass protects your chosen art replica against light and external influences for decades.

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Ederede iwu dị mkpa: We try everythig possible to describe the products as accurate as possible and to display them visually. At the same time, the colors of the print products and the imprint can diverge somehwat from the presentation on your device's monitor. Depending on the settings of your screen and the condition of the surface, not all colors are printed as realisitcally as the digital version depicted here. In view of the fact that the fine art prints are processed and printed by hand, there might as well be minor deviations in the exact position and the size of the motif.

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