Charles Howard Hodges, 1835 - Foto nke John Fraser - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
(© nwebiisinka - Rijksmuseum - www.rijksmuseum.nl)
Portrait of John Fraser. Ten half length, sitting in a chair in front of a bookcase. Pendant of SK-A-1568.
Product ọmụma
The 19th narị afọ sere Portrait of John Fraser e sere ya British onye na-ese ihe Charles Howard Hodges. Enwere ike ịhụ nka nka n'ime Rijksmuseum's digital art collection. Site n'ikike nke Rijksmuseum (ikike - ngalaba ọha).Ebe E Si Nweta nke ihe osise:. N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ ihe osise nwere oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.
Ihe ndị a na-ahọrọ
Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ nha na ihe kacha amasị gị. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a UV printed canvas with a nice structure on the surface, that resembles the actual version of the work of art. It is used for placing your art print with the help of a personal frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2 - 6cm around the work of art to facilitate the framing with a custom frame.
- Bipụta na enyo acrylic: An acrylic glass print, often referred to as a plexiglass print, transforms the artwork into brilliant décor. The great benefit of a plexiglass fine art copy is that contrasts and granular painting details will be more visible because of the granular gradation in the picture. The plexiglass protects your custom art print against sunlight and heat for between 40-60 years.
- Mbipụta kanvas: A canvas print is a printed cotton canvas stretched on a wood stretcher. Furthermore, a canvas makes a attractive and warm appearance. A canvas print has the great advantage of being relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the use of extra wall-mounts. Hence, a canvas print is suitable for any type of wall.
- Mbipụta nke aluminom: These are metal prints on aluminium dibond with a true depth. The bright & white parts of the original work of art shine with a silky gloss, however without the glow.
Ozi ndabere na onye na-ese ihe
Ihe nkiri: | Charles Howard Hodges |
A makwaara dịka: | Hodges Charles Howard, Charles Howard Hodges, Hodges Charles H., C.H. Hodges, Hodges |
Gender: | nwoke |
Obodo onye nka: | British |
Ọrụ: | onye na-ese ihe, onye na-ese ihe |
Country: | United Kingdom |
Nhazi nke onye nka: | omenkà nke oge a |
Akwụsị: | 73 afọ |
Afọ ọmụmụ: | 1764 |
Amụrụ na (ebe): | London, Greater London, England, United Kingdom |
Afọ nwụrụ: | 1837 |
Nwụrụ na (ebe): | Amsterdam, North Holland, Netherlands |
Iberibe ozi nka
Aha nke ọrụ nka: | "Portrait of John Fraser" |
Nhazi nka: | sere |
Nhazi nka: | nkà nke oge a |
Time: | 19th narị afọ |
Year: | 1835 |
Afọ nka: | ihe karịrị afọ 180 |
Ụlọ ihe ngosi nka: | Rijksmuseum |
Ebe ngosi nka: | Amsterdam, Netherlands |
Dị n'okpuru: | www.rijksmuseum.nl |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Ozi ederede
Ụdị ngwaahịa: | mmepụta nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro nhazi: | UV kpọmkwem obibi |
Production: | emere na Germany |
Ụdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | ihe ndozi mgbidi, mma mgbidi |
Ndepụta: | usoro eserese |
Njikwa oyiyi: | 1: 1.2 ogologo ruo obosara |
Ihe: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Materials: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Igwe onyonyo: | biko buru n'uche na nnomi nka enweghi fremu |
Nkwupụta iwu: We try whatever we can to depict the products as precisely as possible and to demonstrate them visually. Still, the tone of the printed materials, as well as the print result might vary slightly from the presentation on your monitor. Depending on your settings of your screen and the nature of the surface, color pigments may not be printed one hundret percent realistically. Bearing in mind that all our fine art prints are processed and printed by hand, there may as well be minor differences in the motif's exact position and the size.
© echebe nwebiisinka - Artprinta (www.artprinta.com)