Ịtali - Eserese nwoke na uwe mkpuchi ajị anụ - mbipụta nka mara mma

Họrọ ngwa ngwaahịa gị

Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche & nha dị iche iche. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

• Mbipụta enyo acrylic: An acrylic glass print, which is sometimes referred to as a plexiglass print, will turn the original artwork into wonderful décor. The artwork is being printed thanks to state-of-the-art UV printing machines. The great advantage of an acrylic glass fine art print is that sharp contrasts and also artwork details will be identifiable because of the subtle tonal gradation. Our acrylic glass protects your custom art replica against sunlight and heat for many years to come.
• Kwaaji: A printed canvas stretched on a wooden frame. It has the typical effect of three-dimensionality. A canvas of this artwork will allow you to transform your custom art print into a large size artpiece as you know from galleries. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without any wall-mounts. A canvas print is suited for all types of walls.
• Akwụkwọ mmado na ihe kwaaji: Our poster print is a UV printed sheet of canvas with a slightly roughened surface texture. Please keep in mind, that depending on the absolute size of the poster we add a white margin 2-6cm around the painting in order to facilitate the framing with a custom frame.
• Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print with a true depth effect, creating a contemporary impression with a surface structure, that is not reflective. The Direct Print on Aluminum Dibond is your excellent start to art replicas with aluminum. The colors are luminous and bright in the highest definition, the fine details of the print appear crisp and clear, and there’s a matte look that you can literally feel.

Nkwupụta iwu: We try to depict our products as exact as possible and to showcase them visually. Although, the tone of the printed materials and the print result may differ marginally from the image on your device's monitor. Depending on your screen settings and the quality of the surface, not all color pigments will be printed one hundret percent realistically. In view of the fact that all the are printed and processed manually, there may also be slight variations in the motif's exact position and the size.

Nkọwapụta nka nka mbụ sitere na ụlọ ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The sitter of this handsome portrait has his right hand placed below his heart, suggesting the content of the letter he has evidently just finished reading. Although the artist remains anonymous, he must have been familiar with the work of the Venetian painter Lorenzo Lotto (ca. 1480-1556), who spent time in the north Italian city of Bergamo.

Italian made this masterpiece "Portrait of a Man in a Fur-Trimmed Coat". The original measures the size: 38 3/8 x 29 1/2 in (97,5 x 74,9 cm) and was painted with the Usoro of mmanụ na kwaaji. N'oge a, ihe osise bụ nke nchịkọta Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka nke gbasara puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke - Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Marquand, Onyinye Henry G. Marquand, 1890 (ikike ngalaba ọha). Moreover, the artpiece has the creditline: Marquand Collection, Gift of Henry G. Marquand, 1890. What is more, the alignment is in Eserese format na a akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

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