Gerrit Duyckinck, 1710 - Eserese nwanyị - mbipụta nka mara mma

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Maka mbipụta nka ọ bụla anyị na-enye ihe & nha dị iche iche. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta nke aluminom: These are metal prints on aluminium dibond material with an impressive depth effect, which creates a fashionable look with a surface , which is not reflective. The Direct Print on Aluminum Dibond is the ideal start to the sophisticated world of art reproductions made with aluminum. For your Direct Print On Aluminum Dibond, we print your work of art on the surface of the aluminum. The white & bright parts of the work of art shimmer with a silk gloss but without glare. The colors are luminous in the highest definition, fine details of the print appear very clear, and there’s a matte look you can literally feel. The print on aluminium is one of the most popular entry-level products and is a truly stylish way to display art, because it puts 100% of the viewer’s focus on the replica of the artwork.
• Kwaaji: The canvas direct print is a printed canvas stretched on a wood frame. Furthermore, a canvas makes a soft and comfy ambience. A canvas of this work of art will allow you to transform your into a large collection piece like you would see in a gallery. A canvas print has the advantage of being relatively low in weight, which means that it is quite simple to hang the Canvas print without the support of additional wall-mounts. Therefore, a canvas print is suited for any type of wall.
• Mbipụta enyo acrylic: A glossy acrylic glass print, often referred to as a print on plexiglass, will convert an original artwork into beautiful home decoration and makes a good alternative option to dibond or canvas prints. The work of art is custom-made with the help of modern UV direct printing technology.
• Poster (akwa akwa akwa): Our poster print is a printed canvas with a granular texture on the surface. Please bear in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm round about the painting to facilitate the framing with a custom frame.

Ederede iwu dị mkpa: We try our best to describe our art products as precisely as possible and to exhibit them visually. Still, the tone of the printing material, as well as the imprint can vary to a certain extent from the image on the device's monitor. Depending on your settings of your screen and the condition of the surface, not all colors will be printed as exactly as the digital version. Because all our are printed and processed manually, there might as well be minor discrepancies in the motif's size and exact position.

Nkọwa ihe osise sitere na webụsaịtị Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Duykinck was a member of one of the most important families of painters in New York State during the seventeenth century. As a teenager, he assisted his father Evert, who was a glazier in New York. By 1679, Gerrit referred to himself as a portraitist and not simply a craftsman. He did not sign or date the portraits he painted for private patrons in New Amsterdam and other Dutch towns in upstate New York.

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a 18th narị afọ artwork na aha Eserese nwanyị e mere site nna ukwu Gerrit Duyckinck. Ụdị ihe osise ahụ nwere nha: 41 1/4 x 32 3/4 na (104,8 x 83,2 cm). Mmanụ na osisi was used by the American painter as the technique for the piece of art. What is more, the artwork belongs to the collection of Museumlọ ihe ngosi nka nke Obodo. Site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye Edgar William na Bernice Chrysler Garbisch, 1972 (ikike ngalaba ọha). Ọzọkwa, ihe nkiri ahụ nwere kreditline: Onyinye nke Edgar William na Bernice Chrysler Garbisch, 1972. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ dị n'ime Eserese format na nwere akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

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