Govaert Flinck, 1646 - Eserese nwanyị - mbipụta nka mara mma

Ozi nka dị ka webụsaịtị ihe ngosi nka nyere (© - Ụlọ ihe ngosi nka nke Cleveland - www.clevelandart.org)

Because of an inscription on the back, this painting was long considered a portrait of Anna Maria van Schurman, a prominent Dutch scholar and artist. These words, however, were added much later and incorrectly state that Anna Maria was 42 years old, when in reality she would have been 39. Furthermore, Flinck's likeness does not resemble other known portraits of this famous woman. Although her identity remains unknown, his sitter has an austere dignity and emotional complexity that captures her individuality through the careful description of her expression and dress. Due to this naturalism and elegant formality, Flinck achieved wealth and a high social standing throughout the 1640s as one of Amsterdam's most popular portraitists, rivaling his former master, Rembrandt. Joachim Sandrart, a contemporary German painter, once commented that compared to Rembrandt's portraits, Flinck's "were more felicitous in the exactness and in the pleasing quality of the portrayal."

Ozi ndabere na artpiece si Govaert Flinck

In 1646 Govaert Flinck made this classic art masterpiece with the title Eserese nwanyị. The 370 year old artwork has the following size Framed: 101 x 90 x 5,5 cm (39 3/4 x 35 7/16 x 2 3/16 in); Unframed: 71,5 x 59,5 cm (28 1/8 x 23 7/16 in) and was manufactured on the medium mmanụ n'elu osisi. Signed left: "G. Flinck 1646" is the artwork's inscription. Moveover, the work of art can be viewed in in the digital art collection of Velọ ihe ngosi nka nke Cleveland. Site n'ikike nke Velọ ihe ngosi nka nke Cleveland (public domain license). : Gift of Mr. and Mrs. Noah L. Butkin. The alignment is portrait with a ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Govaert Flinck was a male painter from the Netherlands, whose art style can be attributed primarily to Baroque. The Dutch artist lived for a total of 45 afọ, born in the year 1615 in Cleves, North Rhine-Westphalia, Germany and passed away in 1660 in Amsterdam, North Holland, Netherlands.

Ihe ndị a na-ahọrọ

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• Kwaaji: The canvas print is a printed cotton canvas mounted on a wooden frame. Additionally, a canvas makes a lively, comfortable look. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without additional wall-mounts. Hence, a canvas print is suitable for all kinds of walls.
• Mbipụta enyo acrylic: The print on acrylic glass, which is sometimes named as a UV print on plexiglass, changes an artwork into beautiful décor. The artwork will be manufactured thanks to modern UV printing technology. This has the effect of rich and impressive colors. With an acrylic glass art print contrasts and image details will be visible thanks to the fine tonal gradation of the picture. The plexiglass protects your chosen fine art print against sunlight and heat for many more years to come.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster is a printed flat canvas paper with a slightly rough surface finish. The print poster is excellently suited for framing the fine art print with the help of a custom-made frame. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm around the work of art in order to facilitate the framing with a custom frame.
• Aluminom dibond mbipụta (ọla): These are metal prints on aluminium dibond material with a true depth. A non-reflective surface make a modern look. The bright sections of the original artwork shine with a silky gloss, however without any glow. The colors are bright and vivid, the fine details are crisp.

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