Hans Makart, 1867 - Eserese Eugenie Scheuffelen - mbipụta nka mara mma

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N'elu 150 esere ihe nka afọ afọ Hans Makart. The 150 ụdị nka nke afọ dị afọ na-atụ nha - 158 x 113 cm - frame: 233 x 179 x 20 cm box dimensions: 259 × 228,5 × 31 cm and was made with the medium oil on canvas. The painting has the following text as inscrption: "designation bottom left: Hans Makart". The work of art is included in the collection of Belvedere, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. This public domain work of art is being supplied with courtesy of © Belvedere, Vienna, nọmba ngwa ahịa: 2363. Ebe kredit nke ọrụ nka: purchase from Michael Szamek, Vienna in 1922. Ọzọkwa, alignment dị na eserese format na akụkụ ruru nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. The painter Hans Makart was a European artist, whose art style was primarily Historicism. The European painter lived for a total of 44 afọ a mụrụ na 1840 na Salzburg, Salzburg, Austria ma nwụọ na 1884.

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See perhaps some version in Kaiserslautern. Previously created. [See. Frodl, Makart, 2013, cat. No. 103] From Eugenie Scheuffelen there is a marble bust of Adolf von Hildebrand, the written in 1878. "The beautiful daughter of Friedrich Bruckmann, Eugenie (d. 1919), was considering a serious financial crisis of Bruckmann's publishing company with the very wealthy mill-heirs Alfred Schäuffelen, Irene Hildebrand's brother married. Ignaz von Dollinger, the Eugenie later persuaded her Hildebrand sitting at a bust, trust the couple and left him a close family friend in Munich Eugenie was popular not only for their beauty and mental agility because -. Lenbach painted them multiple, but belonged to her salon and her capricious artist festivals in the sensational events of this city around the turn of the century. in the fall of 1878, the couple Schäuffelen at Hildebrand during this time modeled Hildebrand held in Florence on. the bust of Eugenie, at the same time he painted a life-size profile of her (Irene coupling of Auguste Schäuffelen, October 16, 1878, archive) . "[from: Angela Hass, Adolf von Hildebrandt, The plastis che Portrait, Munich 1984, p. 26, No. 27]