Henry Benbridge, 1770 - Eserese nke onye Gentleman - mbipụta nka mara mma

Họrọ nhọrọ ihe ebipụta nka

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Mpempe akwụkwọ (ihe kwaaji): Our poster is a printed canvas with a slight texture on the surface. A poster print is optimally suited for putting the art print using a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of around 2-6 cm around the work of art, which facilitates the framing with your custom frame.
• Mbipụta kanvas: A canvas print, not to be confused with a painting on a canvas, is a digital image applied directly on canvas. In addition to that, a canvas makes a cosy, enjoyable effect. A canvas of your favorite masterpiece will let you turn your art print into a large work of art as you know from galleries. How do I hang a canvas print on the wall? The great advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang your Canvas print without the help of any wall-mounts. A canvas print is suitable for all types of walls.
• Mbipụta ọla (aluminium dibbond): This is a metal print manufactured on aluminium dibond with an outstanding depth. Its non-reflective surface make a fashionable look. For your Direct Print On Aluminum Dibond, we print your chosen artpiece onto the surface of the white-primed aluminum material. The bright parts of the artpiece shimmer with a silky gloss, however without glare.
• Mbipụta enyo acrylic: A glossy print on acrylic glass, often denoted as a print on plexiglass, will turn your favorite original artwork into brilliant wall decoration. Your favorite artwork is printed with the help of modern UV print technology. This has the effect of intense, deep colors.

Ederede iwu: We try in order to depict the art products in as much detail as possible and to exhibit them visually in our shop. At the same time, the tone of the printed materials and the imprint may diverge slightly from the image on the device's monitor. Depending on your screen settings and the nature of the surface, not all colors are printed one hundret percent realistically. In view of the fact that the art prints are printed and processed by hand, there may also be minor deviations in the exact position and the size of the motif.

Ozi izizi gbasara nka sitere na webụsaịtị ihe ngosi nka (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The most remarkable aspect of this picture, which is among the finest examples of Benbridge's work, is the confidence and elegance with which it is painted. The subject is unknown, but it must have been painted in Philadelphia during the early 1770s, just after the artist returned from five years abroad. His study in Italy clearly made an improvement in his style. The composition is well balanced and enhanced by a mixture of bright and subtle colors.

Nkọwa nke ngwaahịa

Ihe osise a nwere aha Eserese nke onye Gentleman ka nwoke sere ya American onye na-ese ihe Henry Benbridge. Nke kariri 250 mbụ afọ afọ ka e ji ezigbo nha mee: 49 1/4 x 39 1/2 na (125,1 x 100,3 cm). Mmanụ na kwaaji was used by the artist as the technique for the piece of art. Today, this work of art belongs to the digital collection of Museumlọ ihe ngosi nka nke Obodo in New York City, New York, Njikota Obodo Amerika. Anyị na-enwe obi ụtọ ikwu na nke a na-arụ ọrụ nka, nke bụ akụkụ nke ngalaba ọha is being provided with courtesy of The Metropolitan Museum of Art, New York, Morris K. Jesup Fund, Maria DeWitt Jesup Fund, and Louis V. Bell Fund, 1969. : Morris K. Jesup Fund, Maria DeWitt Jesup Fund, and Louis V. Bell Fund, 1969. On top of that, alignment is Eserese na nha nke 3: 4, nke na-egosi na ogologo ya dị 25% dị mkpụmkpụ karịa obosara.

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