Jacob Ferdinand Voet, 1659 - Eserese nwanyị - mbipụta nka mara mma

Emere ihe osise a site na Jacob Ferdinand Voet n’afọ 1659. Ihe kariri 360 years old original has the following following dimensions: Ogologo: 75,5 cm, obosara: 62 cm and was painted with Oil, Canvas (material). This piece of art can be viewed in in the digital art collection of Petit Palais - Musée des Beaux-arts de la Ville de Paris. a nka ochie ngalaba ọha masterpiece na-ọnọ n'ikike nke Petit Palais Paris.Na mgbakwunye, ọrụ nka nwere akara aka: . Ihe ọzọ bụ, alignment bụ na Eserese format ma nwee oke akụkụ nke 1: 1.2, nke pụtara na ogologo ya dị 20% dị mkpụmkpụ karịa obosara.

Nye iwu ihe ị ga-atụkwasị na mgbidi gị

Maka ngwaahịa ọ bụla anyị na-enye nha & ihe dị iche iche. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Mbipụta nke aluminom: Ndị a bụ mbipụta ígwè na aluminom dibond nwere ezi mmetụta nke omimi.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often named a plexiglass print, changes an artwork into magnificient wall decoration. Further, it is a great alternative to dibond and canvas fine art replicas. Your work of art is made with the help of modern UV printing technology.
• Poster (akwa akwa akwa): The poster print is a printed flat canvas paper with a slight surface structure, that reminds the actual artwork. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the work of art to facilitate the framing with a custom frame.
• Mbipụta kanvas: The UV printed canvas material stretched on a wood stretcher frame. A canvas print of this artwork will let you turn your very own art print into a large artwork. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suited for any type of wall.

Nkwupụta iwu: We try all that we can in order to describe our art products as closely as possible and to illustrate them visually in our shop. At the same time, the pigments of the printing material and the print result can diverge to a certain extent from the image on your device's screen. Depending on the settings of your screen and the quality of the surface, colors may not be printed as exactly as the digital version shown here. Bearing in mind that our fine art prints are processed and printed by hand, there may also be slight discrepancies in the motif's exact position and the size.

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What does the Petit Palais - Musée des Beaux-arts de la Ville de Paris state about the work of art created by Jacob Ferdinand Voet? (© - nke Petit Palais dere - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)

Portrait de femme en représentée envelopes: elle porte a costume d'époque Louis XIII, with a corsage of search orné Rubans Red des boucles d'oreilles et collier en perles et une coiffure "hurluberlu". This beautiful anonyme was identifiée alternativement comme étant Marie-Anne Mancini (1649-1714), duchesse de Bouillon and nièce Cardinal Mazarin, or Sulpicia Chigi prince Farnese.

Jacob Ferdinand Voet (1639-circa 1700) is one of many Flemish portraitists who had a distinguished career in Italy. Staying in Rome between 1663 and 1679, he produced portraits half-length cardinals, "belle donne" and Roman lords and ladies. He participated in the execution of three galleries of "Roman beauties," one commissioned in 1672 by Cardinal Flavio Chigi for his family palace in Rome. This order and the similarity between our portrait and that of Sulpicia Chigi in the Museum of Fine Arts in Chartres are causing the identification of this young person.

Mancini, Marie-Anne; Chigi Sulpicia

Portrait, Female Ribbon Necklace