Jan Gossart, 1520 - Eserese nke nwoke - mbipụta nka mara mma

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Description

N'elu 500 year old painting was created by the Dutch artist Jan Gosart. The original creation was painted with the size: 18 1/2 x 13 3/4 in (47 x 34,9 cm) and was painted with the techinque of oil on wood. Nowadays, the artpiece can be viewed in in the collection of The Metropolitan Museum of Art located in New York City, New York, Njikota Obodo Amerika. Site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931 (nwere ikike - ngalaba ọha). The creditline of the artpiece is the following: The Friedsam Collection, Bequest of Michael Friedsam, 1931. Furthermore, alignment is Eserese ya na oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Jan Gossart was an artist from the Netherlands, whose style can be attributed primarily to Northern Renaissance. The Northern Renaissance artist lived for a total of 54 afọ - amuru n'ime 1478 ma nwụọ na 1532.

Akụrụngwa ndị ahịa anyị nwere ike ịhọrọ

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta enyo acrylic: An print on acrylic glass, often referred to as a print on plexiglass, will change your favorite artwork into brilliant décor. Furthermore, it forms a great alternative option to aluminium and canvas prints.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): A poster is a UV printed canvas with a granular surface structure. Please note, that depending on the absolute size of the canvas poster print we add a white margin of something between 2 - 6cm round about the artwork to facilitate the framing.
  • Mbipụta kwaaji: A printed canvas mounted on a wood stretcher frame. Canvas Prints have the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without additional wall-mounts. That is why, canvas prints are suitable for any kind of wall.
  • Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print with an outstanding effect of depth. The white & bright components of the original work of art shimmer with a silky gloss, however without any glare. The colors are luminous and vivid in the highest definition, fine details of the print are crisp, and you can truly notice a matte appearance of the fine art print.

Ozi dị mkpa: We try all that we can in order to depict our art products as accurate as possible and to demonstrate them visually in our shop. Still, the colors of the print products and the imprint might diverge to a certain extent from the representation on the device's screen. Depending on your settings of your screen and the nature of the surface, not all color pigments will be printed one hundret percent realistically. Since all our are processed and printed manually, there might also be minor deviations in the exact position and the size of the motif.

Banyere ihe

Bipụta ngwaahịa: mmepụta nka
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo
Mmalite nke ngwaahịa a: Germany
Stockdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: mgbidi mgbidi, nka mgbidi
Ndozi onyonyo: usoro eserese
Njikwa oyiyi: (ogologo: obosara) 3: 4
Nkọwa: ogologo bụ 25% mkpụmkpụ karịa obosara
Ụdị ihe dị iche iche dị: Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ akpa), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhọrọ nha nke mbipụta aluminom (aluminium dibond material) 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi mmeputa nka nka: adịghị

Data ndabere na ọrụ nka pụrụ iche

Akụkụ nka: "Ihe osise nke nwoke"
Nhazi nka: sere
Otu izugbe: nka ochie
oge: 16th narị afọ
Emepụtara n'afọ: 1520
Afọ nka: karịa afọ 500
Agba na: mmanụ n'elu osisi
Nha izizi (ọrụ nka): 18 1/2 x 13 3/4 na (47 x 34,9 cm)
Egosiputara na: Museumlọ ihe ngosi nka nke Obodo
Ebe ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Webụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931
kreditline ọrụ nka: Nchịkọta Friedsam, Arịrịọ nke Michael Friedsam, 1931

Ihe omuma ihe nka

Aha onye nka: Jan Gosart
Obodo onye nka: Dutch
Ọrụ onye na-ese ihe: onye na-ese ihe
Mba onye si: mba netherland
Otu nka: nna ukwu ochie
Ụdị nka: Northern Renaissance
Nwụrụ na afọ nke: 54 afọ
Afọ ọmụmụ: 1478
Nwuru: 1532

© nwebiisinka site na - Artprinta.com

Original artwork specifications from the museum's website (© - The Metropolitan Museum of Art - www.metmuseum.org)

This is the only independent portrait by Gossart that is signed; the scroll reads, "Joannes Malbodius pingebat." The sitter is turned to the left in a three-quarter view against a dark background, a format that derives from the earlier portraiture tradition of Jan van Eyck and Hans Memling. Like his predecessors, Gossart paid careful attention to tiny details such as the stubble of the beard and the individually painted hairs of the eyebrows, but he emphasized the sculptural form of the sitter in a new and bold way.

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