Joos van Cleve, 1530 - Eserese nke Maximilian I (1459-1519) - mbipụta nka mara mma.

63,99 €

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Nkọwa ndị ọzọ dị ka ihe ngosi nka nyere (© Nwebiisinka - site Rijksmuseum - Rijksmuseum)

Maximilian I (1459-1519) was the Holy Roman Emperor. He was married to Mary of Burgundy. Through this marriage, the Burgundian Netherlands came into the hands of the Habsburgs.

Ngwaahịa nka

In 1530 Joos van Cleve painted this artwork titled "Portrait of Maximilian I (1459-1519)". N'ịgafe, mpempe nka dị na nchịkọta dijitalụ nke Rijksmuseum emi odude ke Amsterdam, Netherlands. Site n'ikike nke: Rijksmuseum (ikike - ngalaba ọha).Ezigbo nka nka bụ: . Ọzọkwa, nhazi nke mmepụta dijitalụ bụ Eserese ya na oke onyonyo nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. Joos van Cleve was a male Netherlandish painter, whose style was primarily Northern Renaissance. The Northern Renaissance artist lived for a total of 56 afọ a mụrụ na 1485 in Cleves, North Rhine-Westphalia, Germany and deceased in the year 1541 in Antwerp, Antwerpen province, Flanders, Belgium.

Ihe ndị a na-ahọrọ

Nchịkọta nhọrọ ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha dabere na mmasị gị. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Mpempe akwụkwọ ederede (akwa akwa akwa): The poster print is a printed canvas with a slightly roughened texture on the surface. It is optimally designed for placing the fine art print using a custom frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm around the painting, which facilitates the framing with your custom frame.
  • Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with an impressive depth. The non-reflective surface make a fashionable look. The bright & white sections of the original work of art shimmer with a silk gloss, however without any glare. The print on Aluminum Dibond is the most popular entry-level product and is a contemporary way to display fine art reproductions, since it draws focus on the replica of the artwork.
  • Mbipụta kanvas: The printed canvas material stretched on a wooden stretcher frame. Your canvas of this artwork will allow you to transform your own art print into a large work of art as you would see in a gallery. Canvas prints are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without any wall-mounts. Therefore, a canvas print is suited for all types of walls.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is often referred to as a UV print on plexiglass, will convert your favorite artwork into stunning décor.

Ozi ndabere izugbe na onye na-ese ihe

Aha onye nka: Joos van Cleve
Aha ndị ọzọ: Sotte Cleeff, joos van cleve d. a., Zotte Kleef, de Sotte Kleef, joost van cleve, Cleve Joos van the elder, Josse van Cleve, Sottecleet, Meister des Todes Mariae, Joos van Cleve d.Ä., Master of the Death of the Virgin, de Zotte Kleef, Cleve Joos van d.Ä., Cleve, Joos van Cleve, Cleve Joos van der Beke, Kleef Joos van, de Sotte van Kleeff, Sotte Cleef, Cleve Joos van der Beke van, Cleve Joos van D. A., Cleef Joos van der Beke, J. Van Cléef, Cleve Joos van, Van Cleve Joos, Sottecleef, Joos van Cleef, Sotte Kleef, Joos van Cleve alias Sotte Cleef, Cleef Joos van, de Sotte Cleef, Beke Joos van der, Zotte van Kleef
okike onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ onye na-ese ihe: Onye na-ese ihe na Netherlands
Mba onye si: mba netherland
Nkewa onye nka: nna ukwu ochie
Ụdị nka: Northern Renaissance
Ndụ: 56 afọ
A mụrụ: 1485
Amụrụ na (ebe): Cleves, North Rhine-Westphalia, Germany
Nwuru: 1541
Nwụrụ na (ebe): Antwerp, Antwerpen n'ógbè, Flanders, Belgium

Ozi ndabere gbasara ọrụ nka

Aha nke ihe nka: "Portrait of Maximilian I (1459-1519)"
Nhazi nka: sere
Otu izugbe: nka ochie
Nhazi oge: 16th narị afọ
Emepụtara na: 1530
Afọ nka: karịa afọ 490
Ụlọ ihe ngosi nka / mkpokọta: Rijksmuseum
Ebe ebe ngosi nka: Amsterdam, Netherlands
Weebụsaịtị nke ihe ngosi nka: Rijksmuseum
Licensedị ikike: ngalaba ọha
Site n'aka: Rijksmuseum

Banyere ngwaahịa

Nkewa edemede: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: UV kpọmkwem obibi
Ihe ngosi: emepụtara na Germany
Ụdị ngwaahịa: a na-achọ
Ojiji ngwaahịa: ihe ndozi ụlọ, mkpokọta nka (mmepụta)
Nhazi nka nka: nhazi ihe osise
Oke akụkụ: 1: 1.4 (ogologo: obosara)
Nsonaazụ: ogologo bụ 29% mkpụmkpụ karịa obosara
Akwa mmeputakwa dị: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x70cm - 20x28", 100x140cm - 39x55"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 50x70cm - 20x28", 100x140cm - 39x55"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 50x70cm - 20x28"
Mbipụta aluminom (ihe alumini debond ihe): 50x70cm - 20x28", 100x140cm - 39x55"
Nhazi mmeputa nka nka: enweghị etiti

Ozi dị mkpa: We try all that we can to depict the products as closely as possible and to demonstrate them visually on the different product detail pages. At the same time, the pigments of the printing material, as well as the printing might vary slightly from the presentation on the device's screen. Depending on your settings of your screen and the nature of the surface, not all colors are printed one hundret percent realistically. Considering that the are processed and printed manually, there might as well be minor discrepancies in the motif's size and exact position.

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