Joseph Paelinck, 1812 - Foto nke onwe - mbipụta nka mara mma

Akụkụ nke art"Onyonyo" nke onye omenkà nke oge a kere Joseph Paelinck ka akwụkwọ nka ọhụrụ gị

In 1812 na Dutch artist Joseph Paelinck kere ihe osise a Onyonyo. The version of the artwork was painted with the size of Framed: 114 x 94,5 x 7,5 cm (44 7/8 x 37 3/16 x 2 15/16 in); Unframed: 89 x 69,3 cm (35 1/16 x 27 5/16 in) and was painted on the medium oil on canvas. It is part of the Ụlọ ihe ngosi nka nke Cleveland digital collection. This modern art artwork, which is in the ngalaba ọha gụnyere, n'ikike nke Velọ ihe ngosi nka nke Cleveland. Creditline of the artwork: Gift of Elisabeth Ireland and Robert Livingston Ireland, Jr., in memory of their mother, Mrs. Perry W. Harvey. Furthermore, alignment of the digital reproduction is Eserese ma nwee oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Joseph Paelinck was a European artist, whose style can be classified as Neoclassicism. The European artist was born in 1781 ma gafee na afọ nke 58 n'afọ 1839.

Nkọwa nka mbụ sitere na ụlọ ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - Velọ ihe ngosi nka nke Cleveland)

Born in a small village in Belgium, Paelinck attended a local drawing academy as a youth. His skill earned him a scholarship to study in Paris where he worked with Jacques-Louis David (1748–1825), the leading French neoclassical master and official court painter of Napoleon I. Paelinck later moved to Rome to study ancient art firsthand and to participate in the city's lively international art scene. Paelinck's attire shows him as a dandy, wearing fashionable, subtly colored clothes. Over his black suit, he wears a box-coat—a garment having a wide, velvet collar originally associated with coachmen but popular among artists in Rome during the early 19th century. The coat demonstrates Paelinck's skill at depicting textures. Likewise, the simplicity of his desk and chair—based on ancient Greek and Roman models—reflects the highest fashion of the time.

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Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta kanvas: The canvas print is a printed canvas mounted on a wooden stretcher. A canvas makes the special impression of three-dimensionality. How can I hang a canvas print on my wall? A canvas print has the advantage of being low in weight, which means that it is easy and straightforward to hang the Canvas print without the help of extra wall-mounts. Because of thata canvas print is suitable for any kind of wall.
• Bipụta na enyo acrylic: A glossy print on acrylic glass, which is sometimes described as a fine art print on plexiglass, will turn an original into home décor and forms a viable alternative option to canvas and dibond fine art prints. The artwork is being printed with modern UV printing machines. The real glass coating protects your selected art replica against light and external influences for many years.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): The Artprinta poster is a printed canvas with a slightly roughened structure on the surface. It is best used for placing your art replica with the help of a customized frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm around the painting in order to facilitate the framing.
• Mbipụta nke aluminom: An Aluminium Dibond print is a print with an impressive effect of depth - for a modern impression and non-reflective surface structure. The Aluminium Dibond Print is the perfect start to replicas manufactured on aluminum. The white & bright parts of the original artpiece shimmer with a silk gloss, however without the glare. Colors are luminous, fine details of the print appear very clear. The UV print on Aluminum Dibond is the most popular entry-level product and is a contemporary way to display fine art prints, as it draws attention on the image.

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Ihe dị mkpa: We try everything to depict the products as clearly as possible and to illustrate them visually on the different product detail pages. Still, the pigments of the printing material, as well as the printing might vary to a certain extent from the image on the device's monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed as realisitcally as the digital version depicted here. In view of the fact that our are printed and processed by hand, there may also be slight differences in the motif's exact position and the size.

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