Joshuasir Reynolds Joshua, 1782 - Eserese Robert Henley, Earl nke abụọ nke Northington - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nye iwu ihe ị ga-achọ inwe
Maka mbipụta nka ọ bụla mara mma anyị na-enye ụdị nha na ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Metal (aluminium debond mbipụta): These are metal prints on aluminium dibond with a true effect of depth. The white & bright parts of the original artpiece shimmer with a silky gloss but without glare. The colors of the print are bright and vivid, details are clear and crisp.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often referenced as a print on plexiglass, changes an artwork into wonderful home decoration and offers a viable alternative to canvas and aluminidum dibond fine art replicas. The work of art is manufactured with the help of modern UV printing technology. With an acrylic glass fine art print sharp contrasts and artwork details will be more visible because of the delicate tonal gradation.
- Mbipụta kwaaji: The printed canvas, not to be confused with a real painting on a canvas, is a digital copy printed from an industrial printing machine. It produces a typical effect of three-dimensionality. A canvas print makes a lively, comfy impression. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without the support of any wall-mounts. Canvas prints are suitable for any kind of wall.
- Mpempe akwụkwọ (ihe kwaaji): Our poster print is a printed flat canvas paper with a slightly rough surface texture. The printed poster is particularly designed for putting the art copy with the help of a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the print motif, which facilitates the framing with a custom frame.
Disclaimer: We do all that we can in order to describe the art products with as many details as possible and to exhibit them visually in our shop. Nonetheless, the pigments of the print materials, as well as the print result can vary marginally from the presentation on your device's monitor. Depending on your settings of your screen and the condition of the surface, colors may not be printed as exactly as the digital version depicted here. Considering that all the are printed and processed by hand, there might also be minor variations in the exact position and the size of the motif.
What does the website of the Musée Cognacq-Jay Paris write about this artwork painted by Joshuasir Reynolds Joshua? (© - Musée Cognacq-Jay Paris - www.museecognacqjay.paris.fr)
Joshua Reynolds painted several portraits of Robert Henley (see Burollet, Therese, 2004 p.260-262). It is here dressed in little pageantry: coat of dark green cloth with gold frogging, white silk waistcoat, green ribbon and star of the Order of the Thistle of Scotland (maybe added later).
Henley, Robert, comte de Northington
Nkọwa ngwaahịa nka
a 18th narị afọ ihe omimi Portrait of Robert Henley, second Earl of Northington was created by the painter Joshuasir Reynolds Joshua in 1782. The 230 year-old painting measures the size: Height: 76 cm, Width: 63 cm. The artwork is in the the art collection of Ụlọ ihe nkiri Cognacq-Jay Paris emi odude ke Paris, France. Site n'ikike nke Musée Cognacq-Jay - le goût du XVIIIe Paris (license: public domain).Besides, the artpiece has the creditline: . Besides, the alignment of the digital reproduction is Eserese na oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.
Nkọwapụta nka
Aha nka: | "Portrait of Robert Henley, second Earl of Northington" |
Nhazi nka nka: | sere |
Otu izugbe: | nka ochie |
oge: | 18th narị afọ |
Ekepụtara: | 1782 |
Afọ nka: | 230 afọ |
Ogo nke ọrụ nka izizi: | Ogologo: 76 cm, obosara: 63 cm |
Ụlọ ihe ngosi nka / mkpokọta: | Ụlọ ihe nkiri Cognacq-Jay Paris |
Ebe ebe ngosi nka: | Paris, France |
Weebụsaịtị ihe ngosi nka: | Ụlọ ihe nkiri Cognacq-Jay Paris |
License: | ngalaba ọha |
Site n'aka: | Musée Cognacq-Jay - le goût du XVIIIe Paris |
Banyere edemede a
Ụdị ngwaahịa: | ezi nka mmeputakwa |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | German mere |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa emebere: | ihe ndozi mgbidi, ụlọ ihe osise nka |
Nhazi: | usoro eserese |
Oke akụkụ: | 1: 1.2 - ogologo: obosara |
Akụkụ onyonyo pụtara: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ ihe: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta kwaaji |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe akwụkwọ Dibony (ihe alumnium) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | enweghị etiti |
Nchịkọta ihe nkiri
Ihe nkiri: | Joshuasir Reynolds Joshua |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Otu nka: | nna ukwu ochie |
Oge ndu: | 69 afọ |
Afọ ọmụmụ: | 1723 |
Obodo: | Plympton |
Afọ ọnwụ: | 1792 |
Obodo ọnwụ: | London |
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