Aert de Gelder, 1695 - Eserese nke nwanyị na-eto eto - mbipụta nka mara mma

Summary of the artwork by the old master Aert de Gelder

Ihe osise Eserese nke Nwanyị Na-eto Eto was made by the baroque artist Aert de Gelder in 1695. The original measures the size: 66,9 × 53,3 cm (26 5/16 × 21 in). Mmanụ na kwaaji was used by the painter as the technique for the piece of art. Nowadays, the artpiece is included in the art collection of Ụlọ ọrụ Art Chicago, nke bụ otu n'ime nnukwu ụlọ ngosi ihe nka n'ụwa, nke na-ebukọ mkpokọta nke gafere ọtụtụ narị afọ na ụwa. Nke ngalaba ọha Ibé nka na-gụnyere na nkwanye ùgwù nke Ụlọ ọrụ Art Chicago. Also, the artwork has the following creditline: Wirt D. Walker Fund. Besides, the alignment is Eserese na a akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Aert de Gelder was a European artist from the Netherlands, whose artistic style can be classified as Baroque. The European painter lived for a total of 82 afọ a mụrụ na 1645 in Dordrecht, South Holland, Netherlands and died in the year 1727 in Dordrecht, South Holland, Netherlands.

Original artwork information as provided by Art Institute Chicago website (© Nwebiisinka - Art Institute Chicago - www.artic.edu)

One of Rembrandt’s last pupils, Aert de Gelder continued to paint with the glowing colors, shimmering, richly textured surfaces, and psychological penetration of his master’s very late work well into the 18th century. This picture has the appearance of a portrait, but the intimate frontal pose and rather fanciful costume suggest the kind of historicizing character study favored by Rembrandt and his pupils.

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• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print with a true depth. The Direct Print on Aluminum Dibond is the excellent introduction to fine art replicas manufactured on aluminum. For our Aluminium Dibond print, we print the favorite artpiece onto the surface of the aluminum material. The white & bright sections of the work of art shimmer with a silky gloss, however without any glow. The colors of the print are luminous, the fine details appear clear and crisp. This print on aluminium is the most popular entry-level product and is an extremely contemporary way to display art, as it puts the viewer’s attention on the replica of the artwork.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The print on acrylic glass, which is often denoted as a plexiglass print, makes your favorite original artwork into gorgeous décor. Further, it offers a good alternative option to canvas and aluminidum dibond art prints. The work of art is printed with the help of state-of-the-art UV direct print machines. It creates deep and rich color shades. The major benefit of an acrylic glass fine art print is that contrasts and image details will be more visible with the help of the precise gradation. The acrylic glass protects your chosen art print against sunlight and heat for between 40-60 years.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a UV printed canvas paper with a slightly rough surface finish. It is excellently qualified for framing your art replica using a custom-made frame. Please note, that depending on the size of the poster we add a white margin of approximately 2-6cm around the print in order to facilitate the framing with your custom frame.
• Mbipụta kwaaji: The canvas direct print is a printed canvas stretched on a wood stretcher. A canvas creates the sculptural look of three-dimensionality. The printed canvas creates a charming and enjoyable atmosphere. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without the help of additional wall-mounts. Canvas prints are suitable for all types of walls.

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Ederede iwu: We try everythig possible to describe the products as clearly as we can and to illustrate them visually on the different product detail pages. However, the colors of the printed materials and the imprint might diverge to a certain extent from the presentation on the device's monitor. Depending on the screen settings and the condition of the surface, colors might not be printed one hundret percent realistically. Because all are processed and printed by hand, there might as well be slight discrepancies in the motif's size and exact position.

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