CA Jensen, 1827 - Eserese nke Baroness Christine Stampe, nee Dalgas - ọmarịcha nka.

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ihe dị ka ihe osise dị ihe karịrị afọ 190

Portrait of Baroness Christine Stampe, nee Dalgas bụ site na Danish onye na-ese ihe CA Jensen. Ihe gafere 190 mbụ dị afọ tụrụ nha: 64,2 x 50,8 cm na e ji teknuzu nke mmanụ na kwaaji. This work of art is in the the Thorvaldsens Museum's art collection. The nkà nke oge a ngalaba ọha masterpiece na-gụnyere na nkwanye ùgwù nke C.A. Jensen, Portrait of Baroness Christine Stampe, nee Dalgas, 1827, Thorvaldsens Museum, www.thorvaldsensmuseum.dk.Creditline of the artwork: . Furthermore, alignment of the digital reproduction is in portrait format with a ratio of 1: 1.2, nke pụtara na ogologo 20% dị mkpụmkpụ karịa obosara.

Ihe ebipụta nka nke ọma ị nwere ike ịhọrọ:

Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche dị iche iche na nha. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with an outstanding effect of depth - for a modern look and a non-reflective surface. A direct Aluminium Dibond Print is the ideal start to art replicas produced with aluminum. The white and bright parts of the original work of art shimmer with a silky gloss but without any glare. Colors are luminous in the highest definition, the fine details are very clear.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster print is a UV printed canvas with a slightly roughened texture on the surface, that reminds the actual version of the masterpiece. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm round about the artwork, which facilitates the framing with a custom frame.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often described as a UV print on plexiglass, will change your favorite original into beautiful décor and makes a good alternative option to aluminium or canvas fine art replicas. The major benefit of an acrylic glass art print is that contrasts and also small color details will be more exposed because of the delicate tonal gradation in the print.
  • Kwaaji: The canvas print, not to be confused with an artwork painted on a canvas, is an image printed onto cotton canvas. A canvas of your favorite artwork will let you turn your fine art print into a large size artwork. A canvas print has the advantage of being relatively low in weight. That means, it is quite simple to hang the Canvas print without additional wall-mounts. That is why, canvas prints are suited for all types of walls.

Nkwupụta iwu: We try what we can in order to depict our art products as exact as possible and to illustrate them visually in our shop. Nevertheless, the colors of the print products, as well as the imprint may vary slightly from the presentation on the monitor. Depending on your screen settings and the quality of the surface, not all colors can be printed as exactly as the digital version. Given that all our are processed and printed manually, there might also be minor variations in the size and exact position of the motif.

Ozi ederede

Nkewa edemede: nka nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Production usoro: mbipụta dijitalụ (Mbipụta UV ozugbo)
Production: German mmepụta
Ụdị ngwaahịa: a na-achọ
Ngwaahịa were: nchịkọta nka (mmeputakwa), ihe ndozi mgbidi
Ndepụta: usoro eserese
Ụdị anya: (ogologo: obosara) 1: 1.2
Nsonaazụ nke akụkụ onyonyo: ogologo bụ 20% mkpụmkpụ karịa obosara
Nhọrọ dị: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 50x60cm - 20x24", 100x120cm - 39x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Igwe onyonyo: mbipụta nka na-enweghị isi

Ozi ndabere nka

Aha nke eserese ahụ: "Portrait of Baroness Christine Stampe, nee Dalgas"
Nhazi nka: sere
Okwu nche anwụ: nkà nke oge a
Time: 19th narị afọ
Emepụtara n'afọ: 1827
Afọ nka: 190 afọ
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Akụkụ izizi nka: 64,2 x 50,8 cm
Ụlọ ihe ngosi nka: Ụlọ ihe ngosi nka Thorvaldsens
Ebe ngosi nka: Copenhagen, Denmark
ibe weebụ: Ụlọ ihe ngosi nka Thorvaldsens
Ụdị nka nka: ngalaba ọha
Site n'aka: C.A. Jensen, Portrait of Baroness Christine Stampe, nee Dalgas, 1827, Thorvaldsens Museum, www.thorvaldsensmuseum.dk

Tebụl onye na-ese ihe

Aha onye nka: CA Jensen
Obodo onye nka: Danish
Ọrụ: onye na-ese ihe
Country: Denmark
Nhazi nke onye nka: omenkà nke oge a
Oge ndu: 78 afọ
Amụrụ n'afọ: 1792
Afọ ọnwụ: 1870

© nwebiisinka, Artprinta.com (Artprinta)

(© Nwebiisinka - Thorvaldsens Museum - Ụlọ ihe ngosi nka Thorvaldsens)

Christine Stampe paid a visit to Thorvaldsen at Charlottenborg in April 1839, and a close friendship soon developed between the two. She had helped collect funds for the museum and now became Thorvaldsen’s personal support. She also encouraged him to work, saving him from the excessive social life into which he was drawn in the capital by inviting him to her home, the mansion of Nysø near Præstø. Finally she and her husband and children accompanied him on the only visit to Italy he made after his return to Denmark.

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