Ferdinand Bol, 1667 - Eserese ma ọ bụ Michiel de Ruyter (1607-1676) - mbipụta nka mara mma.

What specifically does the original artwork description of the Mauritshuis write about this 17th century work of art created by Ferdinand Bol? (© - Maurithuis - Maurithuis)

Admiralty Chamber, Amsterdam, 1667-1798; 's Lands Zeemagazijn, Amsterdam, 1798-after 1818; Ministry of the Navy, The Hague, after 1818-1894 (until 1889 in the 'marinemodellenkamer', 1889-1894 on loan to the Rijksmuseum, Amsterdam); acquired by exchange with the Rijksmuseum for another portrait of the same sitter attributed to Bol (Mauritshuis inv. no. 18), 1894

Nchịkọta nke ihe osise nwere aha "Portrait or Michiel de Ruyter (1607-1676)"

The 17th narị afọ ọrụ nka Portrait or Michiel de Ruyter (1607-1676) mere site na Baroque nwe- Ferdinand Bol in 1667. The 350 year-old masterpiece was painted with the size: elu: 157 cm obosara: 135 cm | elu: 61,8 n'obosara: 53,1 inch. Onye na-ese ihe na-etinye mmanụ na akwaaji dị ka usoro maka ọrụ nka. Signed and dated: fBol . fecit. Ao. 1667 is the artwork's original inscription. Besides, this work of art is included in the Ndị Maurithuis nchịkọta. Site n'ikike nke Maurithuis, Hague (ikikere: ngalaba ọha). The creditline of the artpiece is: Admiralty Chamber, Amsterdam, 1667-1798; 's Lands Zeemagazijn, Amsterdam, 1798-after 1818; Ministry of the Navy, The Hague, after 1818-1894 (until 1889 in the 'marinemodellenkamer', 1889-1894 on loan to the Rijksmuseum, Amsterdam); acquired by exchange with the Rijksmuseum for another portrait of the same sitter attributed to Bol (Mauritshuis inv. no. 18), 1894. Besides this, the alignment is Eserese ma nwee akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter, etcher Ferdinand Bol was a European artist, whose style can primarily be attributed to Baroque. The Dutch painter lived for 64 years - born in 1616 in Dordrecht, South Holland, Netherlands and died in 1680 in Amsterdam, North Holland, Netherlands.

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Maka mbipụta nka ọ bụla anyị na-enye ụdị nha na ihe dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is often referred to as a print on plexiglass, will convert an artwork into amazing décor. The work of art is manufactured with the help of modern UV printing technology.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster is a UV printed sheet of canvas paper with a fine surface texture. Please bear in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm round about the print, which facilitates the framing with your custom frame.
• Metal (aluminium debond mbipụta): Mbipụta aluminom Dibond bụ mbipụta ọla nwere nnukwu mmetụta dị omimi.
• Mbipụta kanvas: A UV printed canvas material mounted on a wooden stretcher frame. Furthermore, a canvas produces a attractive and positive ambience. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without the help of any wall-mounts. Because of thata canvas print is suited for all types of walls.

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Ederede iwu: We try to depict our art products as precisely as we can and to demonstrate them visually on the various product detail pages. Still, the colors of the print materials and the imprint can diverge somehwat from the representation on your device's screen. Depending on the screen settings and the condition of the surface, color pigments can unfortunately not be printed as realisitcally as the digital version. Considering that the art prints are processed and printed by hand, there may also be slight differences in the motif's exact position and the size.

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