Amaghị aha, 1800 - Eserese nke ụkọchukwu Pyeongwondang - ọmarịcha nka.

General information as provided from the museum (© Copyright - Los Angeles County Museum of Art - www.lacma.org)

After the death of a Buddhist patriarch, his portrait was often painted to pay tribute to him. These portraits, called jinyeong, also symbolized the long history of succession within the sect, thus strengthening the legitimacy and authority among followers. Often, the portraits themselves became subjects of worship. Many temples housed portraits of the first patriarch of the different schools of Buddhism, well-known monks familiar with the doctrinal studies of Buddhism, and monks who benefited the country. The inscription in the upper left corner of this painting gives the name of the subject, Pyeongweondang Jinyeong. This is the only known portrait of this Buddhist patriarch, and his deeds and accomplishments are as yet unidentified. Praise for Pyeongweondang might once have been written in the red rectangle at the top right; however, the inscription is no longer legible. Typical of the genre, the floor mat and wall create a divided background. Pyeongweondang, facing left, sits in a low chair. In his left hand, he holds a Buddhist wooden staff (Sanskrit: khakkhara) and, in his right hand, he holds Buddhist prayer beads (det. 1). On the low table in front of him are ten sutras, two scrolls, and writing implements including a brush, ink stone, and ink (det. 2). A transparent lidded container sits atop one stack of sutras. Pyeongweondang’s face is unwrinkled and his lips are pursed (det. 3). The artist used a complex painting technique: he first applied white paint to the back of the silk for the face, and then thinly applied an ocher hue from the front. Most of the original color has since been lost. It appears that the robe’s white knot, below the patriarch’s right shoulder, was repainted. The overall composition and color scheme, as well as the subject’s pose, indicate that the portrait was created at the end of the nineteenth century. Read more (Curator Notes)

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The modern art masterpiece was created by the painter amaonye in 1800. The over 220 year-old original had the size of 43 3/8 x 28 7/8 na (110,17 x 73,34 cm) ma were ihe osise ese Usoro panel, ink and color on silk. What is more, the artwork is part of the collection of Ebe ngosi nka nke Los Angeles County. We are pleased to mention that the masterpiece, which belongs to the public domain is provided with courtesy of Ụlọ ihe ngosi nka nke Los Angeles County (www.lacma.org).Kridi n'obi nke artpiece bụ ndị a: . Kedu ihe ọzọ, nhazi ahụ dị na Eserese format na a akụkụ ruru nke 1: 1.2, nke pụtara na ogologo 20% dị mkpụmkpụ karịa obosara.

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