Juan Bautista Martínez del Mazo, 1645 - Eserese nke Maria Theresa (1638-1683), Infanta nke Spain - ọmarịcha nka.

63,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ihe nka Portrait of Maria Theresa (1638-1683), Infanta of Spain by the old master Juan Bautista Martínez del Mazo as your new artprint

a nka ochie masterpiece akpọrọ Portrait of Maria Theresa (1638-1683), Infanta of Spain onye nwe ya sere ya Juan Bautista Martínez del Mazo. The version of the artpiece had the following size: 58 1/4 x 40 1/2 in (148 x 102,9 cm). Mmanụ na kwaaji was used by the European artist as the technique for the painting. Nowadays, this artwork is included in the The Metropolitan Museum of Art's digital collection. With courtesy of: Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1943 (nwere ikike - ngalaba ọha). : Rogers Fund, 1943. Na mgbakwunye na nke ahụ, nhazi nke mmepụta dijitalụ dị n'ime Eserese format ma nwee oke onyonyo nke 1: 1.4, nke na-egosi nke ahụ ogologo bụ 29% mkpụmkpụ karịa obosara.

(© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Mazo was Velázquez’s most gifted assistant and his son-in-law, having married his daughter Francisca in 1633. María Teresa, daughter of King Philip IV of Spain and his first queen, Isabel de Borbón, was portrayed by Mazo when she was seven years old. In 1660 the Infanta married her cousin Louis XIV and became Queen of France. Another portrait of her, by Velázquez, is also in the Museum’s collection. Mazo reused a canvas for this portrait; a group of putti from the previous work is visible through the red curtain.

Nkọwa ahaziri nke ihe osise

Aha nka nka: "Portrait of Maria Theresa (1638-1683), Infanta of Spain"
Nhazi nka: sere
Otu izugbe: nka ochie
Narị afọ nka: 17th narị afọ
Afọ okike: 1645
Afọ nka: ihe dị ka afọ 370
Usoro izizi: mmanụ na kwaaji
Akụkụ ihe osise izizi: 58 1/4 x 40 1/2 na (148 x 102,9 cm)
Ụlọ ihe ngosi nka / ebe: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: www.metmuseum.org
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1943
Ebe kredit nke ọrụ nka: Rogers Fund, 1943

Ose okwu

Aha onye nka: Juan Bautista Martínez del Mazo
okike nke onye nka: nwoke
Obodo onye nka: spanish
Ọrụ onye na-ese ihe: onye na-ese ihe
Mba onye si: Spain
Otu nka: nna ukwu ochie
Akwụsị: 55 afọ
Afọ ọmụmụ: 1612
Afọ ọnwụ: 1667

Họrọ ihe ị chọrọ

Maka mbipụta nka ọ bụla anyị na-enye ihe & nha dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster print is a UV printed sheet of canvas with a nice finish on the surface. It is suited for putting your art replica using a custom-made frame. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the painting in order to facilitate the framing with your custom frame.
  • Ihe odide acrylic glass: An print on acrylic glass, which is often labelled as a UV print on plexiglass, changes the artwork into beautiful home décor. The artwork will be printed with the help of state-of-the-art UV printing machines. The acrylic glass protects your chosen art replica against sunlight and heat for up to 60 years.
  • Mbipụta kanvas: A printed canvas applied on a wood frame. The great advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up the Canvas print without the help of additional wall-mounts. A canvas print is suitable for all types of walls.
  • Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with an outstanding depth effect. A direct Aluminium Dibond Print is your perfect start to the sophisticated world of art replicas made with aluminum. For the Direct Aluminium Dibond option, we print your selected artpiece onto the surface of the white-primed aluminum. This print on Aluminum Dibond is the most popular entry-level product and is a truly stylish way to showcase fine art prints, as it puts all of the viewer’s attention on the artwork.

Nkọwa ngwaahịa

Ụdị edemede: ọrụ mgbidi
Usoro mmeghari: dijitalụ mmeputakwa
Production usoro: Mbipụta UV ozugbo (mbipụta dijitalụ)
Nlụpụta: Germany
Ụdị ngwaahịa: a na-achọ
Eji ngwaahịa a chọrọ: foto mgbidi, nka mgbidi
Nhazi nka nka: usoro eserese
Njikwa oyiyi: 1: 1.4
Mmetụta akụkụ onyonyo: ogologo bụ 29% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa.
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x70cm - 20x28", 100x140cm - 39x55"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 50x70cm - 20x28", 100x140cm - 39x55"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 50x70cm - 20x28"
Mpempe aluminom (aluminium dibond ihe) nha: 50x70cm - 20x28", 100x140cm - 39x55"
ụba: biko buru n'uche na mmeputakwa a enweghi okpokolo agba

Disclaimer: We try the best we can in order to depict our products as clearly as possible and to demonstrate them visually. However, the pigments of the printing material and the printing can differ somehwat from the image on the monitor. Depending on your settings of your screen and the condition of the surface, not all colors are printed as exactly as the digital version. Since all the fine art prints are printed and processed manually, there might also be slight variations in the motif's size and exact position.

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